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Duchies of Livonia and Estonia and the States of Novogorod, Bielogorod and Kiovia with their Districts in European Russia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Duchies of Livonia and Estonia and the States of Novogorod, Bielogorod and Kiovia with their Districts in European Russia, engraving by G. Zuliani taken from Tome III of the 'Newest Atlas' published in Venice in 1782 by Antonio Zatta, Private Collection


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Duchies of Livonia and Estonia and the States of Novogorod, Bielogorod and Kiovia with their Districts in European Russia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Duchies of Livonia and Estonia and the States of Novogorod, Bielogorod and Kiovia with their Districts in European Russia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G

Alinari
PDP-A-ZATTA3-0040

Media ID 33189719

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome III of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta. The artwork, now part of a private collection, depicts the Duchies of Livonia and Estonia as well as the States of Novogorod, Bielogorod, and Kiovia with their respective districts in European Russia. The intricate details and precision of this Renaissance-Baroque style engraving transport us back to the eighteenth century. It is a testament to the remarkable craftsmanship and artistry that flourished during this period. The artist's skillful use of lines and shading brings life to each territory represented on the map. As we gaze upon this historical piece, we are reminded not only of its aesthetic beauty but also its significance as a means of communication during that era. Maps were essential tools for exploration, trade routes, and territorial claims. They served as instruments for understanding geography and navigating vast lands. Beyond its practical purpose, this engraving holds deeper meaning through allegory and symbolism. It represents power dynamics between different regions within Europe at that time – highlighting political boundaries while also capturing cultural nuances unique to each area depicted. With its abstract concepts conveyed through precise cartography techniques, this artwork offers us a glimpse into how people perceived their world centuries ago. It serves as both a document preserving historical knowledge and an expression of artistic creativity. In 2009 when this photograph was taken by Alinari from Florence Engraving Eighteenth Century collection (not affiliated with any company), it allowed viewers to appreciate the fine details preserved over time despite being created more than two centuries earlier in 1782 by Zuliani G. Overall, this print invites us to explore history through visual storytelling – revealing insights about territories past while showcasing masterful craftsmanship that transcends time itself.

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