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The Duchies of Parma, Piacenza and Guastalla, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
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The Duchies of Parma, Piacenza and Guastalla, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
The Duchies of Parma, Piacenza and Guastalla, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0026
Media ID 33186021
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "The Duchies of Parma, Piacenza and Guastalla" by the talented artist G. Zuliani. Originally published in Venice in 1782 by Antonio Zatta, this artwork is now part of a private collection in Florence. The engraving transports us back to the Renaissance-Baroque styles and periods that defined Europe during the eighteenth century. It beautifully captures the essence of these historical territories through its intricate details and masterful craftsmanship. As we delve into this piece, we are immediately drawn to its allegorical nature. The map serves as both an instrument and document, symbolizing not only geographical boundaries but also abstract concepts tied to power, authority, and governance. Through meticulous cartography, Zuliani skillfully depicts the landscape with precision and accuracy. The topographical map provides a comprehensive view of the Duchies of Parma, Piacenza, and Guastalla during that era. Beyond its technical excellence lies a deeper meaning conveyed through this artwork – it represents more than just physical geography; it embodies a scene from European history where communication played a vital role in shaping societies. This engraving encapsulates the spirit of renaissance baroque styles while simultaneously bridging two significant millennia –the first millennium A. D. , marked by ancient civilizations' rise and fall; followed by the second millennium A. D. , which witnessed transformative events like exploration voyages or scientific advancements. In 2009 when this photograph was taken by Alinari (not mentioning commercial use), it allowed viewers to appreciate this remarkable piece even if they couldn't access its original location or private collection. This image preserves not only Zuliani's artistry but also our connection to history itself - reminding us how drawing graphics can transcend time while preserving cultural heritage for generations to come.
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