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Germany divided into its Circles, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection

Germany divided into its Circles, engraving by G. Zuliani taken from Tome III of the 'Newest Atlas' published in Venice in 1776 by Antonio Zatta, Private Collection


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Germany divided into its Circles, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection

Germany divided into its Circles, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1776. Artist:Zuliani G

Alinari
PDP-A-ZATTA3-0001

Media ID 33187819

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed


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> Abstract Art > Painting > Related Images

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Contemporary art > Modern art > Abstract art

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> Arts > Still life artwork > Abstract art > Fine art

> Arts > Still life artwork > Abstract art > Modern art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Modern art

> Arts > Modern art pieces


EDITORS COMMENTS
This print showcases a remarkable engraving by G. Zuliani, taken from Tome III of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta. The artwork, titled "Germany divided into its Circles" is housed in a private collection and exudes the essence of eighteenth-century Renaissance-Baroque styles and periods. The image transports us back to an era when cartography was not only a means of communication but also an art form. It represents more than just a geographical or topographical map; it embodies an abstract concept and symbolizes the intricate territory that Germany once was. As we delve into this historical masterpiece, we are reminded of the significance of maps as instruments and documents that have shaped our understanding of geography throughout time. This particular piece holds immense value for scholars studying the modern history of nations, peoples, territories, and especially Germany during the eighteenth century. The artist's skillful execution allows us to appreciate every detail meticulously etched onto this engraving. Its intricate lines bring life to each circle representing different regions within Germany at that time. Beyond its technical brilliance lies a deeper meaning—a scene rich with allegory—depicting not only physical boundaries but also cultural divisions within Germany during this period. It serves as a testament to how maps can convey complex concepts through visual representation. In 2009, this photograph captured the essence of Zuliani's work from 1776—an exquisite blend of artistry and cartographic precision. Preserved by Alinari, renowned for their dedication to preserving historical artifacts through photography, this print allows us to marvel at both past artistic achievements and significant moments in European history.

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