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Helvetia divided into its 13 Cantons and its allies, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
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Helvetia divided into its 13 Cantons and its allies, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
Helvetia divided into its 13 Cantons and its allies, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1781. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0026
Media ID 33189691
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Helvetia divided into its 13 Cantons and its allies". Created by the talented artist G. Zuliani, this masterpiece was featured in Tome III of the renowned "Newest Atlas" published in Venice in 1781 by Antonio Zatta. The image takes us back to the enchanting world of the eighteenth century, where Renaissance-Baroque styles flourished. It offers a glimpse into Europe's rich history, specifically Switzerland during this period. The intricate details and precision of Zuliani's work highlight his mastery as an engraver. The print portrays Helvetia, symbolizing Switzerland, divided into its thirteen cantons and their allies. Through this allegorical representation, we are reminded of the complex territorial dynamics that shaped modern nations throughout history. As we delve deeper into the artwork, it becomes apparent that it is not merely a geographical or topographical map but rather a powerful instrument for storytelling and documentation. It serves as a visual testament to Switzerland's past and provides valuable insights into its people, territories, and historical significance. The photograph itself was taken in 2009 from a private collection based in Florence. Its pristine condition allows us to appreciate every stroke made by Zuliani over two centuries ago. This remarkable piece captures our attention with its timeless beauty and evokes curiosity about Switzerland's vibrant past. It stands as both an artistic achievement within renaissance-baroque styles and periods while also serving as a means of communication between generations—bridging gaps through artistry that transcends time itself.
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