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Kingdoms of Arakan, Pegu, Siam, Cambodia and Laos, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

Kingdoms of Arakan, Pegu, Siam, Cambodia and Laos, engraving by G. Zuliani taken from Tome IV of the 'Newest Atlas' published in Venice in 1785 by Antonio Zatta, Private Collection


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Kingdoms of Arakan, Pegu, Siam, Cambodia and Laos, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

Kingdoms of Arakan, Pegu, Siam, Cambodia and Laos, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G

Alinari
PDP-A-ZATTA4-0007

Media ID 33189733

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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> Abstract Art > Painting > Related Images

> Abstract Art > Water

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> Arts > Artists > C > Cambodian Cambodian

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> Arts > Minimalist artwork > Abstract art > Fine art

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> Arts > Portraits > Abstract art > Abstract art gallery

> Arts > Portraits > Abstract art > Abstract paintings


EDITORS COMMENTS
This print showcases an exquisite engraving titled "Kingdoms of Arakan, Pegu, Siam, Cambodia and Laos" by the talented artist G. Zuliani. The artwork was originally published in Venice in 1785 as part of Antonio Zatta's renowned "Newest Atlas" making it a true treasure from the past. The image transports us back to the eighteenth century, immersing us in the Renaissance-Baroque styles and periods that characterized Europe during this time. It is a testament to the remarkable craftsmanship and attention to detail prevalent in artistic works of that era. As we delve into this intricate engraving, we are greeted with a mesmerizing depiction of various kingdoms: Arakan, Pegu, Siam, Cambodia, and Laos. These regions come alive through Zuliani's skillful rendering of their geographical features – mountains majestically rising from lush landscapes while rivers meander gracefully across them. Beyond its cartographic significance lies an allegorical representation that speaks volumes about power dynamics and territorial conquests. This artwork serves as both a document and instrument for understanding historical geography – providing invaluable insights into how these kingdoms were perceived at that time. The presence of sea and islands adds depth to the composition while hinting at maritime trade routes crucial for economic prosperity during those centuries. Through this visual narrative, viewers can grasp not only physical boundaries but also abstract concepts such as cultural exchange or political influence within Southeast Asia. Thanks to Alinari's expert photography skills capturing every minute detail with precision; we can appreciate this masterpiece even today despite its creation over two centuries ago. This photograph allows us to connect with history on multiple levels – appreciating artistry while gaining knowledge about our world's past interactions. In conclusion, this extraordinary print presents us with an enchanting glimpse into European cartography from 1785. It invites us on a journey through time where art meets communication through maps, and the past intertwines with the present.

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