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Lusatia, divided into its States, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
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Lusatia, divided into its States, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
Lusatia, divided into its States, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1780. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0010
Media ID 33187845
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases a remarkable engraving titled "Lusatia, divided into its States" by the talented artist G. Zuliani. The artwork was originally published in Venice in 1780 as part of Antonio Zatta's renowned "Newest Atlas". Housed within a private collection in Florence, this exquisite piece embodies the elegance and sophistication of Renaissance-Baroque styles prevalent during the eighteenth century. The image transports us back to an era when cartography played a vital role in understanding and documenting our world. With intricate details and precision, Zuliani skillfully depicts Lusatia, a historical region located between Germany and Poland, meticulously dividing it into its various states. This topographical map not only serves as an instrument for geographical exploration but also symbolizes the power of knowledge and communication. Through this artistic creation, we are reminded of how maps have always been more than just practical tools; they convey abstract concepts and symbols that shape our perception of territories. The allegorical nature of this engraving invites contemplation on the interconnectedness between land and people throughout history. Photographed in 2009 by Alinari, this print captures every nuance of Zuliani's masterpiece while preserving its timeless beauty. It allows us to appreciate the craftsmanship involved in creating such detailed illustrations during a time when technology had yet to revolutionize graphic design. As we gaze upon this enchanting artwork from centuries past, we are transported to Europe during the first millennium A. D. , where scenes like these were instrumental means of communication. This extraordinary piece encapsulates both historical significance and aesthetic brilliance—a testament to human creativity across different periods—making it an invaluable addition to any art enthusiast's collection.
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