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Madonna and Child, called "Madonna della Cintola" (Madonna of the Girdle), by Giovanni Pisano, Cathedral of Prato

Madonna and Child, called 'Madonna della Cintola' (Madonna of the Girdle), by Giovanni Pisano, Cathedral of Prato


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Madonna and Child, called "Madonna della Cintola" (Madonna of the Girdle), by Giovanni Pisano, Cathedral of Prato

Madonna and Child, called "Madonna della Cintola" (Madonna of the Girdle), by Giovanni Pisano, Cathedral of Prato. Prato Cathedral of Prato Statue Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:1317 ca.. Artist:Giovanni Pisano (1248 c.-1315)

Brogi Giacomo, Stabilimento fotografico
BGA-F-012748-0000

Media ID 33165635

© Alinari Archives, Florence

Emotional Bond Finger Hair Hand Human Psychology Mouth Lips Nose Pyschological Behavior Textile Applied Arts And Crafts Parts Of The Body


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Giacomo Brogi

> Arts > Artists > P > Giovanni Pisano

> Europe > Italy > Tuscany > Prato

> Popular Themes > Human Body


EDITORS COMMENTS
This photograph captures the timeless beauty of Giovanni Pisano's masterpiece, "Madonna della Cintola" (Madonna of the Girdle), housed in the Cathedral of Prato. Taken around 1900, this image transports us back to a different era - the Middle Ages in Europe. The artwork itself dates back to approximately 1317, created by the talented sculptor Giovanni Pisano. The statue depicts Madonna and Child, showcasing their emotional bond through subtle details like hand placement and facial expressions. It is a testament to human psychology and our innate need for connection. Every element of this photograph tells a story - from the delicate textile draping over Madonna's body to her serene face crowned with regal elegance. The artist's attention to detail is evident in every aspect: from strands of hair falling gracefully on her shoulders to each curve and contour meticulously carved into her figure. As we gaze upon this print, we are reminded not only of its artistic value but also its historical significance. This sculpture represents an important part of European history during the first and second millennium A. D. , offering insight into both individual lives and broader societal norms. The photographer behind this remarkable image is Brogi Giacomo from Stabilimento fotografico Alinari. Through his lens, he has captured not just an object or artwork but also physiological and psychological aspects that make us human - such as facial features like lips, nose, mouth; clothing that reflects cultural norms; even gestures conveyed through fingers. In conclusion, this print invites us into a world where art meets history – where emotions transcend time – reminding us that even centuries later, masterpieces like "Madonna della Cintola" continue to inspire awe and admiration.

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