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The Margraves of Anspach and Bayreuth in Franconia with the Bailaggi situated between the Inn, the Salza and the Danube Rivers in Bavaria, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection

The Margraves of Anspach and Bayreuth in Franconia with the Bailaggi situated between the Inn, the Salza and the Danube Rivers in Bavaria, engraving by G. Zuliani taken from Tome III of the 'Newest Atlas' published in Venice in 1779 by Antonio Zatta, Private Collection


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The Margraves of Anspach and Bayreuth in Franconia with the Bailaggi situated between the Inn, the Salza and the Danube Rivers in Bavaria, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection

The Margraves of Anspach and Bayreuth in Franconia with the Bailaggi situated between the Inn, the Salza and the Danube Rivers in Bavaria, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1779. Artist:Zuliani G

Alinari
PDP-A-ZATTA3-0020

Media ID 33187863

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases "The Margraves of Anspach and Bayreuth in Franconia with the Bailaggi situated between the Inn, the Salza and the Danube Rivers in Bavaria". Engraved by G. Zuliani and taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, this artwork is a true treasure from an era long gone. The image transports us back to eighteenth-century Europe, where Renaissance-Baroque styles reigned supreme. It depicts a scene that represents more than just geographical boundaries; it symbolizes power, territory, and allegory. The intricate details of this engraving highlight its significance as an instrument for communication during that time. As we delve into this artwork's historical context, we can appreciate how it captures both the essence of its period and the evolution of cartography as a means of communication. The artist's skillful rendering brings to life not only physical landscapes but also abstract concepts and symbols associated with these regions. Despite being created over two centuries ago, this engraving continues to fascinate viewers today. Its inclusion in private collections such as Florence Engraving Eighteenth Century speaks volumes about its enduring value. Alinari's photograph beautifully captures every detail of this remarkable piece while adding a modern touch through their lens. By juxtaposing past and present through photography, Alinari allows us to appreciate how art transcends time and remains relevant across generations. In conclusion, this print offers a glimpse into history through an enchanting engraving depicting European territories during the Renaissance-Baroque period. It serves as a testament to humanity's continuous quest for knowledge through maps while reminding us that art has no expiration date when it comes to capturing our imagination.

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