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Maryland, southern New Jersey, Delaware and the eastern part of Virginia and North Carolina, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Maryland, southern New Jersey, Delaware and the eastern part of Virginia and North Carolina, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1778 by Antonio Zatta, Private Collection


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Maryland, southern New Jersey, Delaware and the eastern part of Virginia and North Carolina, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Maryland, southern New Jersey, Delaware and the eastern part of Virginia and North Carolina, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0064

Media ID 33185883

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Scene Means Of Communication Seaeighteenth Century Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork depicts a detailed map encompassing Maryland, southern New Jersey, Delaware, and the eastern part of Virginia and North Carolina. The intricate lines and delicate strokes of this Renaissance-Baroque style engraving transport us back to the eighteenth century Europe. It is a testament to the remarkable craftsmanship and artistry prevalent during that era. As we gaze upon this historical masterpiece, we are reminded of the significance of cartography as a means of communication throughout history. This geographical or topographical map serves not only as an instrument but also as a document representing territories and their boundaries. Beyond its practical purpose, this artwork holds deeper meaning through its allegorical representation. It symbolizes the abstract concept of territory and highlights our innate desire for exploration and understanding our surroundings. The juxtaposition between the ancient technique employed by Zuliani in 1778 with the modern photograph captured in 2009 adds another layer to this composition. It bridges two distinct periods - first millennium A. D. , when cartography emerged as an essential discipline, and second millennium A. D. , when advancements in technology revolutionized how we perceive geography. This print is housed within a private collection Florence Engraving Eighteenth Century which preserves these valuable artifacts for future generations to appreciate. Its presence evokes curiosity about our past while reminding us that even centuries-old works can continue to inspire awe today. Alinari's photography beautifully captures every detail of this extraordinary artwork without compromising its essence or historical significance. Through their lens, they have immortalized Zuliani's talent while allowing us to experience his creation anew.

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