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The Palatinates of Minsk, Mscislav, Polok and Witebsk in Lithuania, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
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The Palatinates of Minsk, Mscislav, Polok and Witebsk in Lithuania, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
The Palatinates of Minsk, Mscislav, Polok and Witebsk in Lithuania, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1781. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0036
Media ID 33186241
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta. The artwork, titled "The Palatinates of Minsk, Mscislav, Polok and Witebsk in Lithuania" is a true masterpiece that transports us back to the Renaissance-Baroque styles and periods of eighteenth-century Europe. In this intricate piece, Zuliani skillfully captures the essence of these four palatinates through his meticulous attention to detail. The engraving portrays a rich tapestry of landscapes, architecture, and geographical features that define these regions. It serves as both a cartographic representation and an allegory for their significance within Lithuania's history. The artist's use of abstract concepts and symbols adds depth to the composition. Through cleverly placed elements such as rivers flowing gracefully across the map or mountains rising majestically on its borders, Zuliani conveys not only physical geography but also hints at cultural heritage and territorial boundaries. As we delve into this visual treasure trove from centuries past, it becomes evident that this artwork is more than just a means of communication; it is an instrument documenting historical knowledge. Its existence bridges two different millennia – first millennium A. D. , when these palatinates flourished under various rulers' reigns until their depiction in 1781 during the second millennium A. D. Today we are fortunate enough to have access to this private collection Florence Engraving Eighteenth Century print which was captured beautifully by Alinari in 2009. This photograph allows us to appreciate every stroke made by Zuliani over two hundred years ago while preserving its authenticity for generations to come. Through this remarkable piece of artistry and craftsmanship, we can explore not only geographical territories but also dive into the depths of human creativity expressed through renaissance baroque styles – truly capturing the essence of a bygone era.
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