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The part of Piedmont that contains the Duchy of Aosta, the Contado of Canavese, the province of Biella, Valle di Sesia, Signoria di Vercelli and the Upper and Lower Novarese, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
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The part of Piedmont that contains the Duchy of Aosta, the Contado of Canavese, the province of Biella, Valle di Sesia, Signoria di Vercelli and the Upper and Lower Novarese, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
The part of Piedmont that contains the Duchy of Aosta, the Contado of Canavese, the province of Biella, Valle di Sesia, Signoria di Vercelli and the Upper and Lower Novarese, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0035
Media ID 33186049
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta. The artwork, now part of a private collection in Florence, beautifully depicts the part of Piedmont that encompasses various regions such as the Duchy of Aosta, Contado of Canavese, province of Biella, Valle di Sesia, Signoria di Vercelli and Upper and Lower Novarese. The intricate details captured in this engraving transport us back to the Renaissance-Baroque styles and periods prevalent during its creation. It serves as a testament to the remarkable craftsmanship and artistic talent that flourished during Europe's first and second millenniums. As we delve into this visual masterpiece, we are reminded not only of its aesthetic appeal but also its significance as a means of communication. Cartography has long been an essential tool for understanding our world's geography and topography. This particular map provides valuable insights into the territory it represents while simultaneously serving as an allegory for abstract concepts related to land ownership or political boundaries. The artist skillfully combines graphics with drawing techniques to create a visually stunning representation that captivates viewers' attention. Its historical value is further enhanced by being featured in Antonio Zatta's renowned atlas publication from over two centuries ago. In 2009, Alinari had the privilege to photograph this extraordinary artwork from their collection without commercial intent but rather with a focus on preserving history through photography. Through their lens, they have immortalized this eighteenth-century European scene for generations to come. Overall, this print offers us not only a glimpse into Piedmont's rich heritage but also serves as a reminder of humanity's continuous quest for knowledge through writing, communication, cartography - ultimately highlighting our innate curiosity about our world and its diverse territories throughout history.
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