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The part of Piedmont that contains the Marquessates of Susa and Saluzzo, the Districts of Lucerne, Cuneo and Mondovi, and the County of Nice, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
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The part of Piedmont that contains the Marquessates of Susa and Saluzzo, the Districts of Lucerne, Cuneo and Mondovi, and the County of Nice, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
The part of Piedmont that contains the Marquessates of Susa and Saluzzo, the Districts of Lucerne, Cuneo and Mondovi, and the County of Nice, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0037
Media ID 33187771
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta. The artwork, part of a private collection in Florence, beautifully depicts the part of Piedmont that encompasses the Marquessates of Susa and Saluzzo, along with the Districts of Lucerne, Cuneo and Mondovi, and the County of Nice. The intricate details captured in this engraving transport us back to the eighteenth century when cartography was not only a means of communication but also an art form. With its Renaissance-Baroque style and period influences, this piece exemplifies Europe's rich cultural heritage during that era. As we gaze upon this image, we are reminded of how maps serve as instruments and documents that shape our understanding of geography. This particular map symbolizes more than just geographical or topographical information; it represents an abstract concept – a visual allegory for territorial boundaries and historical significance. The juxtaposition between the artist's skillful rendering and Alinari's modern-day photograph allows us to appreciate both past and present perspectives on cartography. It is fascinating to consider how much has changed since 1782 while recognizing that certain elements remain constant throughout time. In essence, this print offers a glimpse into history – a window into Europe's first and second millennium A. D. , where ideas were conveyed through drawings and graphics like these engravings. It invites us to reflect on our evolving methods of communication while appreciating the enduring beauty found within renaissance-baroque styles.
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