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Terra Firma, Spanish, Dutch, French and Portguese Guyana and the northern part of Brazil, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

Terra Firma, Spanish, Dutch, French and Portguese Guyana and the northern part of Brazil, engraving by G. Zuliani taken from Tome IV of the 'Newest Atlas' published in Venice in 1785 by Antonio Zatta, Private Collection


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Terra Firma, Spanish, Dutch, French and Portguese Guyana and the northern part of Brazil, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

Terra Firma, Spanish, Dutch, French and Portguese Guyana and the northern part of Brazil, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G

Alinari
PDP-A-ZATTA4-0023

Media ID 33189757

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This 18th-century engraving, titled "Terra Firma, Spanish, Dutch, French and Portuguese Guyana and the northern part of Brazil" is a remarkable piece from Antonio Zatta's "Newest Atlas" published in Venice in 1785. The print showcases the intricate cartography skills of G. Zuliani and offers a glimpse into the European exploration of South America during this period. The artwork presents an allegorical representation of the territories mentioned, combining Renaissance-Baroque styles with elements from the first and second millenniums. It serves as both a historical document and an artistic masterpiece that captures the spirit of discovery prevalent at that time. The detailed graphics depict various geographical features such as rivers, mountains, coastlines, and settlements across these regions. This visual representation not only provides valuable insights into the topography but also highlights the importance of accurate mapping for communication purposes during this era. Beyond its practical function as a map, this engraving transcends mere geography by conveying abstract concepts and symbols associated with colonization and territorial expansion. It invites viewers to contemplate notions of power dynamics between different European nations vying for control over these lands. Preserved in private collection Florence Engraving Eighteenth Century by Alinari since its creation in 1785 until it was photographed in 2009; this artwork continues to fascinate audiences today. Its timeless beauty reminds us of our enduring fascination with maps as instruments that shape our understanding of the world around us. In summary, Zuliani's engraving represents a significant milestone in cartographic history while simultaneously capturing Europe's exploration fervor during the Renaissance-Baroque periods. Through its combination of artistry and geographic accuracy, it remains an invaluable artifact showcasing humanity's ceaseless quest for knowledge about our planet's vast terrains.

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