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Upper Slesia, divided into its Principates, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection
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Upper Slesia, divided into its Principates, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection
Upper Slesia, divided into its Principates, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1779. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0007
Media ID 33187833
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Upper Slesia, divided into its Principates" by the talented artist G. Zuliani. The artwork was originally published in Venice in 1779 as part of Antonio Zatta's renowned "Newest Atlas". This particular piece is now held in a private collection in Florence. The engraving beautifully captures the essence of Upper Slesia, a region known for its historical significance and territorial divisions during the eighteenth century. With intricate details and precision, Zuliani skillfully depicts the geographical landscape and topography of this European territory. The Renaissance-Baroque styles and periods are evident through the artistic techniques employed by Zuliani. The use of allegory and abstract concepts adds depth to this visual representation, making it more than just a mere map. It becomes an instrument that communicates not only geographic information but also historical context. As we delve into this artwork, we are transported back to the first and second millennium A. D. , exploring Europe's rich history through cartography. The scene depicted here serves as a testament to human ingenuity in creating means of communication that transcend time. Through this remarkable piece, we witness how drawing and graphics can convey complex ideas about territories while simultaneously evoking emotions within us. It symbolizes our innate desire to understand our world better through maps – instruments that document both physical landscapes and intangible aspects such as culture and heritage. This photograph taken in 2009 preserves the beauty of Zuliani's work from 1779 for generations to come. Thanks to Alinari's dedication to preserving artistry like this, we can continue appreciating these masterpieces that bridge centuries together with their timeless allure.
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