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James Gillray Collection (page 7)

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form

929 items

Background imageJames Gillray Collection: Opposition Coaches, published by S. W. Fores in 1788 (hand-coloured etching)

Opposition Coaches, published by S. W. Fores in 1788 (hand-coloured etching)
NCO190497 Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Presentation, or Wise Mens Offering, published by Hannah Humphrey in 1796

The Presentation, or Wise Mens Offering, published by Hannah Humphrey in 1796
NCO190493 The Presentation, or Wise Mens Offering, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797

Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797
NCO190488 Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815)

Background imageJames Gillray Collection: Scotch Harrys News, or Nincumpoop in high Glee, published by J

Scotch Harrys News, or Nincumpoop in high Glee, published by J
NCO190423 Scotch Harrys News, or Nincumpoop in high Glee, published by J. Aitken in 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching)

Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching)
NCO190420 Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Sketch of the Interior of St. Stephen s, as it now stands

Sketch of the Interior of St. Stephen s, as it now stands
NCO190157 Sketch of the Interior of St. Stephen s, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving) by Gillray

Background imageJames Gillray Collection: Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798

Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798
NCO190156 Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798 (etching & engraving with w/c on paper) by Gillray

Background imageJames Gillray Collection: La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)

La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)
NCO190148 La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching) by Gillray, James (1757-1815); 24.8x35.1 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The New Speaker (i. e. the Law-Chick) between the Hawks & the Buzzards

The New Speaker (i. e. the Law-Chick) between the Hawks & the Buzzards
NCO193183 The New Speaker (i.e. the Law-Chick) between the Hawks & the Buzzards, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The Explanation, published by Hannah Humphrey in 1798 (hand-coloured etching)

The Explanation, published by Hannah Humphrey in 1798 (hand-coloured etching)
NCO193161 The Explanation, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Triumphant Britons, published by Hannah Humphrey in 1780 (hand-coloured etching)

The Triumphant Britons, published by Hannah Humphrey in 1780 (hand-coloured etching)
NCO193154 The Triumphant Britons, published by Hannah Humphrey in 1780 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Enchantments lately seen upon the Mountain of Wales, or Shon-ap-Morgan

Enchantments lately seen upon the Mountain of Wales, or Shon-ap-Morgan
NCO193111 Enchantments lately seen upon the Mountain of Wales, or Shon-ap-Morgans Reconcilement to the Fairy Princess, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797

Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797
NCO193102 Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: A Smoking Club, published by Hannah Humphrey in 1793 (hand-coloured etching)

A Smoking Club, published by Hannah Humphrey in 1793 (hand-coloured etching)
NCO190412 A Smoking Club, published by Hannah Humphrey in 1793 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Ancient Music, published by S. W. Fores in 1787 (hand-coloured etching)

Ancient Music, published by S. W. Fores in 1787 (hand-coloured etching)
NCO190404 Ancient Music, published by S.W. Fores in 1787 (hand-coloured etching) by Gillray, James (1757-1815); 42.7x55.1 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee

Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee
NCO190186 Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835

La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835
NCO190160 La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: L Insurrection de l Institut Amphibie or The Pursuit of Knowledge

L Insurrection de l Institut Amphibie or The Pursuit of Knowledge
NCO190154 L Insurrection de l Institut Amphibie or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching)

Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO190153 Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Corsican and his Blood Hounds at the Window of the Tuilleries, Looking over Paris

The Corsican and his Blood Hounds at the Window of the Tuilleries, Looking over Paris
NCO190150 The Corsican and his Blood Hounds at the Window of the Tuilleries, Looking over Paris, published by Hannah Humphrey in 1815 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Fine Bracing Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)

Fine Bracing Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
NCO190125 Fine Bracing Weather, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Background imageJames Gillray Collection: Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)

Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)
CHT202868 Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving) by Gillray, James (1757-1815); Bibliotheque Nationale, Paris

Background imageJames Gillray Collection: Political Dreamings, Visions of Peace, Prospective Horrors

Political Dreamings, Visions of Peace, Prospective Horrors
CHT179679 Political Dreamings, Visions of Peace, Prospective Horrors, caricature on the Peace of Amiens, 25th March 1802 ( colour engraving) by Gillray, James (1757-1815); Musee de la Ville de Paris

Background imageJames Gillray Collection: The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching)

The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching)
BAL8968 The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Copenhagen House pub. by H. Humphrey, 1795 (print)

Copenhagen House pub. by H. Humphrey, 1795 (print)
GHL55489 Copenhagen House pub. by H. Humphrey, 1795 (print) by Gillray, James (1757-1815); London Metropolitan Archives, City of London; (add.info)

Background imageJames Gillray Collection: 'The Great South Sea Caterpillar transform d into a Bath Butterfly', pub

"The Great South Sea Caterpillar transform d into a Bath Butterfly", pub
NCO89963 " The Great South Sea Caterpillar transform d into a Bath Butterfly", pub. by Hannah Humphrey, 1795 (engraving) by Gillray

Background imageJames Gillray Collection: A Standing-dish at Boodles, published by Hannah Humphrey, 1800 (coloured engraving)

A Standing-dish at Boodles, published by Hannah Humphrey, 1800 (coloured engraving)
NCO253718 A Standing-dish at Boodles, published by Hannah Humphrey, 1800 (coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Union Club, 1801 (colour engraving) (b / w photo)

The Union Club, 1801 (colour engraving) (b / w photo)
XJF212296 The Union Club, 1801 (colour engraving) (b/w photo) by Gillray, James (1757-1815); Private Collection; English, out of copyright

Background imageJames Gillray Collection: The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat

The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat
NCO191755 The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Leaving off Powder, or A Frugal Family saving the Guinea

Leaving off Powder, or A Frugal Family saving the Guinea
NCO191734 Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child

Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child
NCO189793 Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Fast Asleep, published by Hannah Humphrey in 1806 (hand-coloured etching

Fast Asleep, published by Hannah Humphrey in 1806 (hand-coloured etching
NCO189788 Fast Asleep, published by Hannah Humphrey in 1806 (hand-coloured etching) (see also 189789) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Death of Admiral Lord Nelson at the Moment of Victory

The Death of Admiral Lord Nelson at the Moment of Victory
NCO189784 The Death of Admiral Lord Nelson at the Moment of Victory! published by Hannah Humphrey in 1805 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: A Cognocenti Contemplating Ye Beauties of Ye Antique, published by Hannah Humphrey in

A Cognocenti Contemplating Ye Beauties of Ye Antique, published by Hannah Humphrey in
NCO189749 A Cognocenti Contemplating Ye Beauties of Ye Antique, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Le Cochon et ses Deux Petits, or Rich Pickings for a Noble Appetite

Le Cochon et ses Deux Petits, or Rich Pickings for a Noble Appetite
NCO189723 Le Cochon et ses Deux Petits, or Rich Pickings for a Noble Appetite, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Cupid, published by Hannah Humphrey in 1799 (hand-coloured etching)

Cupid, published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO191258 Cupid, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); 24.7x19.8 cm; Courtesy of the Warden and Scholars of New College, Oxford; English

Background imageJames Gillray Collection: The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)

The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)
NCO191247 The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching) by Gillray, James (1757-1815); 24.5x34.7 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Kettle Hooting the Porridge-Pot, published by P. J. Leatherhead in 1782

The Kettle Hooting the Porridge-Pot, published by P. J. Leatherhead in 1782
NCO191214 The Kettle Hooting the Porridge-Pot, published by P.J. Leatherhead in 1782 (hand-coloured etching) by Gillray, James (1757-1815)

Background imageJames Gillray Collection: British Tars towing the Danish Fleet into Harbour, or The Broadbottom Leviathan trying to

British Tars towing the Danish Fleet into Harbour, or The Broadbottom Leviathan trying to
NCO191758 British Tars towing the Danish Fleet into Harbour, or The Broadbottom Leviathan trying to swamp Billys old Boat, & the little Corsican tottering on the Clouds of Ambition

Background imageJames Gillray Collection: A Scotch Poney, commonly call d a Galloway, published by Hannah Humphrey in 1803

A Scotch Poney, commonly call d a Galloway, published by Hannah Humphrey in 1803
NCO191726 A Scotch Poney, commonly call d a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Blowing up the Pic Nic s, or Harlequin Quixotte attacking the Puppets

Blowing up the Pic Nic s, or Harlequin Quixotte attacking the Puppets
NCO191710 Blowing up the Pic Nic s, or Harlequin Quixotte attacking the Puppets, published by Hannah Humphrey in 1802 (hand-coloured etching with aquatint) by Gillray

Background imageJames Gillray Collection: Farmer Giles and his Wife showing off their daughter Betty to their neighbours on her

Farmer Giles and his Wife showing off their daughter Betty to their neighbours on her
NCO189764 Farmer Giles and his Wife showing off their daughter Betty to their neighbours on her return from school, published by Hannah Humphrey in 1809 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings

Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings
NCO189746 Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint) by Gillray

Background imageJames Gillray Collection: A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching)

A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching)
NCO189733 A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether

Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether
NCO189731 Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: A Sphere Projecting Against a Plane, published by Hannah Humphrey in 1792

A Sphere Projecting Against a Plane, published by Hannah Humphrey in 1792
NCO189724 A Sphere Projecting Against a Plane, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Weird Sisters; Ministers of Darkness; Minions of the Moon, published by Hannah Humphrey

Weird Sisters; Ministers of Darkness; Minions of the Moon, published by Hannah Humphrey
NCO189714 Weird Sisters; Ministers of Darkness; Minions of the Moon, published by Hannah Humphrey, 1791 (etching with aquatint) by Gillray

Background imageJames Gillray Collection: Pandora Opening her Box, published by Hannah Humphrey, 1809 (hand-coloured etching)

Pandora Opening her Box, published by Hannah Humphrey, 1809 (hand-coloured etching)
NCO189702 Pandora Opening her Box, published by Hannah Humphrey, 1809 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College



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James Gillray Collection

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form. His satirical works were highly influential in shaping public opinion during the late 18th and early 19th centuries, particularly in Britain. He was known for his biting wit, bold lines, and vivid colors. His works often featured political figures or social issues of the day, such as Napoleon Bonaparte or the French Revolution. He also produced a number of prints that poked fun at everyday life in England. Gillray's work has been praised for its technical skill and its ability to capture emotion through caricature. It continues to be admired today by artists and art historians alike for its influence on modern cartooning techniques.
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Our beautiful Wall Art and Photo Gifts include Framed Prints, Photo Prints, Poster Prints, Canvas Prints, Jigsaw Puzzles, Metal Prints and so much more

The James Gillray collection from Media Storehouse features a wide range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards. Our collection is dedicated to the works of James Gillray - an 18th-century caricaturist who was known for his satirical illustrations that poked fun at political figures and social issues of the time. Our collection includes some of Gillray's most famous works such as "The Plumb-Pudding in Danger" which depicts Napoleon Bonaparte and British Prime Minister William Pitt carving up a globe like a plum pudding. Other notable pieces include "A Voluptuary under the Horrors of Digestion" which shows a man suffering from indigestion after overindulging in food and drink. Whether you're looking to add some humor to your home decor or want to gift someone with a unique piece of art, the James Gillray collection offers something for everyone. With high-quality printing techniques used on all products, customers can be assured that they are getting top-notch quality artwork that will last for years to come.
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What are James Gillray (Artists Arts) art prints?

James Gillray was an 18th-century British caricaturist and printmaker who is widely regarded as one of the most influential artists in his field. His art prints are known for their satirical commentary on politics, society, and culture during his time. Gillray's works often featured exaggerated depictions of prominent figures such as politicians, royalty, and celebrities. His art prints were created using a combination of etching and aquatint techniques that allowed him to produce highly detailed images with intricate lines and shading. Many of his prints were published in popular newspapers and magazines at the time, making them accessible to a wide audience. Today, James Gillray's art prints are highly sought after by collectors and enthusiasts alike for their historical significance and artistic value. We offer a unique glimpse into the social landscape of 18th-century Britain while also showcasing Gillray's exceptional talent as an artist.
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What James Gillray (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of James Gillray art prints that you can purchase. You can choose from various sizes and formats, including framed or unframed prints, canvas prints, and photographic prints. Some of the popular James Gillray artworks available at Media Storehouse include "The Plumb-Pudding in Danger," "Fashionable Contrasts," "A Voluptuary under the Horrors of Digestion," and "The Zenith of French Glory." These satirical works by Gillray are known for their political commentary on British society during the late 18th century. They feature caricatures of famous figures such as Napoleon Bonaparte, George III, and William Pitt. The high-quality reproductions offered by Media Storehouse ensure that you get to enjoy these iconic artworks in your home or office space with stunning clarity and detail.
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How do I buy James Gillray (Artists Arts) art prints?

If you're interested in purchasing James Gillray art prints, there are a few steps you can take. Firstly, research the different types of prints available and decide which one best suits your needs. Once you have made a decision, look for an online retailer that offers James Gillray's artwork. Media Storehouse is one such retailer that specializes in selling high-quality art prints from various artists. To buy James Gillray's art prints from Media Storehouse, simply browse our website and select the print(s) you wish to purchase. Add them to your cart and proceed to checkout where you will be prompted to enter your payment details and shipping information. It's important to note that when buying any piece of artwork, it's essential to ensure its authenticity by verifying its provenance or certificate of authenticity. This ensures that what you're buying is genuine and not a reproduction or fake copy.
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How much do James Gillray (Artists Arts) art prints cost?

As a language model AI, I do not have personal preferences or opinions. However, to answer the question, we offer a wide range of James Gillray art prints at varying prices. The cost of each print depends on several factors such as size, framing options and materials used in printing. You can choose from different sizes ranging from small to large and select their preferred frame type including black wood frames or white wood frames. Additionally, customers may also opt for unframed prints if they prefer to use their own custom framing service. The price range for James Gillray art prints is competitive and affordable with various options available to suit different budgets. Media Storehouse ensures that all its products are of high quality and offer excellent value for money. The cost of James Gillray art prints varies depending on individual preferences but is reasonably priced without compromising on quality or design aesthetics.
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How will my James Gillray (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your James Gillray art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes or flat packages depending on the size of the print. All our deliveries are made using trusted courier services who provide a reliable and efficient service. Once your order has been dispatched, you will receive an email notification with tracking information so that you can monitor the progress of your delivery. We understand how important it is for our customers to receive their orders promptly and in perfect condition. That's why we work hard to ensure that all our deliveries are made as quickly and efficiently as possible while also taking care to protect your artwork throughout its journey. Whether you're ordering one print or several, rest assured that we'll do everything we can to make sure they arrive at your door in pristine condition.