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The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)
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The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)
NCO191247 The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching) by Gillray, James (1757-1815); 24.5x34.7 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Prime Minister William Pitt (1759-1806) depicted as a vulture devouring the plumes of the Prince of Wales; reference to the Regency Crisis; restriction of divine right of kings; ); English, out of copyright
Media ID 23200162
© Bridgeman Images
Bird Of Prey Buzzard Carrion Charter Claws Constitutional Consuming Document Domination Hanoverian Magna Carta Monopoly Monstrous Neck Political Satire Power Queue Reform Sceptre Tiara Treasury Vautour Dine Gullet Monster
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The Vulture of the Constitution - A Satirical Depiction of Power and Monarchy
EDITORS COMMENTS
. In this intriguing etching titled "The Vulture of the Constitution" created by James Gillray and published by Hannah Humphrey in 1789, we are presented with a powerful political satire that captures the essence of an era marked by turmoil and change. The image portrays Prime Minister William Pitt as a monstrous vulture, perched atop a weakened monarchy, devouring the plumes of the Prince of Wales. This artwork alludes to the Regency Crisis and signifies the restriction on divine right held by kings. With its claws firmly gripping a scepter symbolizing power, wings spread wide in domination, and crown adorning its head, this monstrous bird represents Pitt's insatiable appetite for control. Gillray's masterful caricature highlights key themes such as parliamentary control over budgetary matters through his depiction of Pitt consuming documents from within his gullet. The inclusion of references to constitutional charters like Magna Carta further emphasizes the struggle between royal prerogative and reformist ideals. Through biting wit and artistic skill, Gillray exposes Pitt's perceived monopolization of political power while commenting on broader issues surrounding governance during this Georgian period. This satirical print serves as both a historical document capturing significant events in British history and an enduring reminder that even those in positions of authority can be subject to scrutiny. Courtesy of New College Oxford's collection via Bridgeman Images, this artwork continues to intrigue viewers
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