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Canvas Print : Mausoleum at Outatori near Trichinopoly, c. 1788 (oil on canvas)
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Mausoleum at Outatori near Trichinopoly, c. 1788 (oil on canvas)
XYC169483 Mausoleum at Outatori near Trichinopoly, c.1788 (oil on canvas) by Ward, Colonel Francis Swain (c.1734-94); 52x76 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12737796
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Arcade Burial Place Islamic Architecture Moslem Site South Southern India
30"x20" (76x51cm) Canvas Print
Bring the timeless beauty of colonial-era art into your home with Media Storehouse's Canvas Prints. This exquisite piece, "Mausoleum at Outatori near Trichinopoly, c. 1788 (oil on canvas)" by Colonel Francis Swain, showcases the intricate details and rich colors of the original painting from the Paul Mellon Collection at the Yale Center for British Art. Our high-quality canvas prints are made to order, ensuring a perfect fit for your space. Add a touch of elegance and history to your decor with this stunning reproduction.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite beauty of the Mausoleum at Outatori near Trichinopoly, a remarkable piece of Islamic architecture in southern India. Painted by Colonel Francis Swain Ward in 1788, this oil on canvas artwork measures 52x76 cm and is now housed in the prestigious Yale Center for British Art's Paul Mellon Collection. The mausoleum stands as a testament to both Muslim culture and burial practices, with its grand dome and intricate arcade design. Situated on the riverbank of River Kaveri, it exudes an air of tranquility and serenity that draws visitors from far and wide. Colonel Ward masterfully captures every detail of this architectural marvel, highlighting its arches and capturing the play of light on its surface. The painting transports viewers to another time and place, allowing them to immerse themselves in the rich history and cultural heritage that surrounds this sacred site. As we gaze upon this print, we are reminded not only of the artistic talent behind it but also of our shared human experience across different cultures. It serves as a reminder that art has no boundaries or limitations when it comes to bridging gaps between nations.
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