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Canvas Print : Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble)

Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble)



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Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble)

3615935 Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble) by Carpeaux, Jean-Baptiste (1827-75); Metropolitan Museum of Art, New York, USA; (add.info.: The Pisan traitor Count Ugolino della Gherardesca, his sons Gaddo and Uguccione and grandsons Nino (surnamed " the Brigand" ) and Anselmuccio were imprisoned 1288 by the Ghibellines in the Muda tower and left to die of starvation.
Dantes Inferno canto XXXIII )

Media ID 24694736

© Bridgeman Images

Captive Clinging Count Dante Desperation Divine Comedy Hands Hunger Hungry Inferno Naturalism Naturalistic Nobleman Pisa Prisoners Realism Realistic Romanticism Second Empire Starvation Starving Della Gherardesca Nobles Pisan


20"x16" (51x41cm) Canvas Print

Bring the timeless beauty of art into your home with Media Storehouse's Canvas Prints. This exquisite piece features a captivating detail from "Ugolino and His Sons," a sculpture by renowned French artist Jean-Baptiste Carpeaux. Originally created between 1865 and 1867 from the Saint-Beat marble, this masterpiece is now showcased at the Metropolitan Museum of Art in New York. Our high-quality canvas prints are meticulously crafted to bring out the intricate details and vibrant colors of this iconic artwork, making it an exceptional addition to any decor. Elevate your living space with a touch of history and culture.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Realism

> Arts > Art Movements > Romanticism

> Arts > Artists > C > Jean-Baptiste Carpeaux

> Arts > Sculpture

> Arts > Street art graffiti > Realism > Realism art gallery

> Europe > Italy > Sculptures

> Europe > Italy > Tuscany > Pisa

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Stone carvings

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> North America > United States of America > New York > Related Images

> Fine Art Finder > Artists > Edward Sheriff Curtis

> Fine Art Finder > Artists > Jean-Baptiste Carpeaux


EDITORS COMMENTS
This print showcases the intricate details of Jean-Baptiste Carpeaux's sculpture, "Detail of Ugolino and His Sons". Created between 1865-67, this masterpiece is carved from Saint-Beat marble and is housed in the Metropolitan Museum of Art in New York. The sculpture depicts Count Ugolino della Gherardesca, a Pisan traitor who was imprisoned with his sons and grandsons by the Ghibellines in 1288. Left to starve to death in the Muda tower, their tragic story was immortalized by Dante Alighieri in his epic poem "Divine Comedy" specifically Canto XXXIII of Inferno. Carpeaux's attention to detail is evident as he captures the desperation and anguish on each figure's face. The sculptor skillfully portrays the emaciated bodies clinging together for comfort amidst their hunger and suffering. The nakedness of these captives adds an element of vulnerability that enhances the emotional impact of the artwork. With its realistic portrayal and naturalistic style, Carpeaux's sculpture exemplifies both French romanticism and Italian realism. The use of marble further enhances its timeless beauty, creating a stunning visual representation that evokes empathy from viewers. Through this photo print, we are reminded not only of Carpeaux's artistic brilliance but also of humanity's capacity for cruelty. It serves as a poignant reminder that even within great works of art lies stories steeped in tragedy and despair.

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