Canvas Print : Satire of Dr Rock, c. 1740 (engraving)
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Satire of Dr Rock, c. 1740 (engraving)
XJF701477 Satire of Dr Rock, c.1740 (engraving) by Shaftoe, William (fl.1730-40); Private Collection; (add.info.: Richard Rock (c.1690a'1777) was a well known quack doctor in 18th century London, renowned for his cure for venereal disease.); English, out of copyright
Media ID 12924484
© www.bridgemanart.com
Circus Performers Cure Cures Harlequin Quack Doctor Selling Tight Rope Tightrope Walker
30"x20" (76x51cm) Canvas Print
Bring a touch of historical wit to your home decor with Media Storehouse's Canvas Prints. This exquisite piece, "Satire of Dr Rock, c.1740 (engraving)" by William Shaftoe, captures the essence of 18th century satire. Featuring the famous quack doctor, Richard Rock, this engraving is a fascinating glimpse into the past. Add this captivating artwork to your collection and let the intrigue begin. Source: Bridgeman Art Library, Fine Art Finder (XJF701477).
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
The captivating engraving titled "Satire of Dr Rock, c. 1740" takes us back to the vibrant streets of 18th century London. In this comical scene, created by William Shaftoe, we witness a bustling crowd gathered around St Paul's Covent Garden open-air stage. The atmosphere is filled with laughter and anticipation as various circus performers showcase their talents. Amidst the spectacle stands Dr Richard Rock, a notorious quack doctor renowned for his supposed cure for venereal disease. With an air of confidence and flamboyance, he attempts to sell his dubious remedies to the eager onlookers. The satire lies in the exaggerated portrayal of Dr Rock's outlandish claims and extravagant personality. As our eyes wander through the print, we are drawn to a harlequin character gracefully walking on a tightrope above the crowd. This juxtaposition highlights both the absurdity of Dr Rock's promises and the skillful entertainment provided by genuine performers. This Georgian-era artwork not only serves as a humorous commentary on quackery but also offers us a glimpse into London's lively street culture during that time period. Its detailed depiction captures every facet of this bustling scene – from the animated expressions on people's faces to their diverse reactions towards Dr Rock's sales pitch. Through its satirical lens, this print reminds us that even in centuries past, society was not immune to charlatans seeking profit through false promises. It invites contemplation about human gullibility while providing amusement through its
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