Jigsaw Puzzle : Satire of Dr Rock, c. 1740 (engraving)
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Jigsaw Puzzles from Fine Art Finder
Satire of Dr Rock, c. 1740 (engraving)
XJF701477 Satire of Dr Rock, c.1740 (engraving) by Shaftoe, William (fl.1730-40); Private Collection; (add.info.: Richard Rock (c.1690a'1777) was a well known quack doctor in 18th century London, renowned for his cure for venereal disease.); English, out of copyright
Media ID 12924484
© www.bridgemanart.com
Circus Performers Cure Cures Harlequin Quack Doctor Selling Tight Rope Tightrope Walker
Jigsaw Puzzle (1000 Pieces)
Discover the captivating world of history with our Media Storehouse Jigsaw Puzzles, featuring the enchanting "Satire of Dr. Rock, c.1740 (engraving)" by William Shaftoe. This intriguing puzzle brings to life the intriguing character of Richard Rock, a renowned quack doctor in 18th century London, as depicted in this engraving from a private collection. Perfect for history buffs, puzzle enthusiasts, or anyone seeking a challenging and educational pastime. Immerse yourself in the details of this Fine Art Finder image, and let the pieces come together to reveal the fascinating story behind this satirical work of art.
1000 piece puzzles are custom made in Australia and hand-finished on 100% recycled 1.6mm thick laminated puzzle boards. There is a level of repetition in jigsaw shapes with each matching piece away from its pair. The completed puzzle measures 76x50cm and is delivered packaged in an attractive presentation box specially designed to fit most mail slots with a unique magnetic lid
Jigsaw Puzzles are an ideal gift for any occasion
Estimated Product Size is 50.2cm x 76cm (19.8" x 29.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
The captivating engraving titled "Satire of Dr Rock, c. 1740" takes us back to the vibrant streets of 18th century London. In this comical scene, created by William Shaftoe, we witness a bustling crowd gathered around St Paul's Covent Garden open-air stage. The atmosphere is filled with laughter and anticipation as various circus performers showcase their talents. Amidst the spectacle stands Dr Richard Rock, a notorious quack doctor renowned for his supposed cure for venereal disease. With an air of confidence and flamboyance, he attempts to sell his dubious remedies to the eager onlookers. The satire lies in the exaggerated portrayal of Dr Rock's outlandish claims and extravagant personality. As our eyes wander through the print, we are drawn to a harlequin character gracefully walking on a tightrope above the crowd. This juxtaposition highlights both the absurdity of Dr Rock's promises and the skillful entertainment provided by genuine performers. This Georgian-era artwork not only serves as a humorous commentary on quackery but also offers us a glimpse into London's lively street culture during that time period. Its detailed depiction captures every facet of this bustling scene – from the animated expressions on people's faces to their diverse reactions towards Dr Rock's sales pitch. Through its satirical lens, this print reminds us that even in centuries past, society was not immune to charlatans seeking profit through false promises. It invites contemplation about human gullibility while providing amusement through its
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