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Canvas Print : How did he hop, skip, bellow and roar, illustration after George Cruikshank
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How did he hop, skip, bellow and roar, illustration after George Cruikshank
KW366279 How did he hop, skip, bellow and roar, illustration after George Cruikshank for the poem The Lay of St. Medard, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright
Media ID 12867288
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Creature Devil Fairytale Folklore Ghoul Hurt Pyramid In Pain Monster
20"x16" (51x41cm) Canvas Print
Bring the whimsical world of Thomas Ingoldsby's "The Ingoldsby Legends" to life in your home with our stunning Canvas Prints from Media Storehouse. This exquisite illustration, titled "How did he hop, skip, bellow and roar," is inspired by George Cruikshank's work and showcases the mischievous character from the poem "The Lay of St. Medard." Each Canvas Print is meticulously crafted with premium materials, ensuring vibrant colors and sharp details that truly bring the art to life. Add a touch of timeless charm to any room in your home with this unique and captivating piece.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this print, we are transported into the fantastical world of George Cruikshank's imagination. The illustration, inspired by Thomas Ingoldsby's poem "The Lay of St. Medard" showcases a scene filled with mystery and intrigue. At the center of the image stands a wounded male figure, his face contorted in pain as he watches intently. Surrounding him is an eerie pyramid-like structure, seemingly constructed from his own agony. It is here that our attention is drawn to a devilish creature - part monster, part ghoul - who hops and skips around the injured man. The artist skillfully captures the essence of folklore and fairytales in this piece. We can almost hear the bellowing roars echoing through the air as this otherworldly being torments its victim. The composition evokes a sense of unease and tension, leaving us wondering about their connection and what lies ahead for them both. This print serves as a reminder of how art has the power to transport us to different realms and ignite our imagination. Through intricate details and masterful lithography techniques, it invites us to delve deeper into its narrative while contemplating themes such as pain, suffering, and supernatural forces at play. As we admire this mesmerizing artwork from English School's 19th-century collection, we are reminded once again that fine art has no boundaries or limitations when it comes to storytelling – it transcends time and captivates audiences across generations.
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