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Canvas Print : DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel

DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel



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DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7531973

1844 Amos Apparatus Demon Distill Evil Giles Massachusetts Moonshine Salem Science


20"x16" (51x41cm) Canvas Print

Introducing the captivating and intriguing Media Storehouse Canvas Print of "Distillery, 1844" by The Granger Collection. This breathtaking wood engraving, originally published in 1844, depicts a fictional allegation of a distillery supposedly run by a church deacon named Amos Giles in Salem, Massachusetts. The image, which is a reprint from a polemic of 1835 by Salem minister George B. Cheever, was the subject of a successful libel lawsuit against the minister by the local deacon who owned the distillery. Add this unique and thought-provoking piece of history to your home or office decor, and let the story behind the image captivate your guests. Order your Media Storehouse Canvas Print today and bring a piece of historical intrigue into your space.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
In this print titled "DISTILLERY, 1844" we are transported back in time to witness a scene of alleged demonic activity within a distillery operated by church deacon Amos Giles in Salem, Massachusetts. The wood engraving, created in 1844 and reproduced from a fictional polemic written by Salem minister George B. Cheever in 1835, offers a glimpse into the controversial events surrounding this establishment. The intricate details of the engraving bring to life an eerie atmosphere as dark forces seem to be at work amidst the brewing process. The image portrays demons lurking around the apparatus used for distillation, emphasizing their malevolent presence within this seemingly ordinary setting. This print holds historical significance as it reflects not only on the existence of such establishments during that era but also on societal conflicts and legal battles that ensued. It is worth noting that Deacon Giles had successfully sued Cheever for libel over his fictional account. Through this artwork, we gain insight into the complex relationship between religion and vices like alcohol production during nineteenth-century America. It serves as a reminder of how deeply intertwined moral values were with daily life and how even respected members of society could find themselves embroiled in controversy. Granger Art on Demand has provided us with an intriguing visual artifact that invites contemplation about our past while shedding light on cultural dynamics and human nature itself.

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