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Photographic Print : DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel
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DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel
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Media ID 7531973
1844 Amos Apparatus Demon Distill Evil Giles Massachusetts Moonshine Salem Science
10"x8" (25x20cm) Photo Print
Introducing the captivating and intriguing "Distillery, 1844" photographic print from the Media Storehouse collection, exclusively available through Granger Art on Demand. This enchanting wood engraving, created in 1844, is a fascinating glimpse into the past, depicting an alleged distillery operated by a church deacon named Amos Giles of Salem, Massachusetts. The image, which originated from a reprint of a fictional polemic published in 1835 by Salem minister George B. Cheever, sparked controversy when a local deacon who owned a distillery successfully sued for libel. This print offers a captivating glimpse into the moral dilemmas and societal norms of the time, making it a perfect addition to any history or art enthusiast's collection. With its intricate details and rich history, this print is sure to evoke curiosity and inspire conversation. Bring a piece of the past into your home or office with the "Distillery, 1844" photographic print from Media Storehouse and Granger Art on Demand.
Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 25.4cm x 18.7cm (10" x 7.4")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this print titled "DISTILLERY, 1844" we are transported back in time to witness a scene of alleged demonic activity within a distillery operated by church deacon Amos Giles in Salem, Massachusetts. The wood engraving, created in 1844 and reproduced from a fictional polemic written by Salem minister George B. Cheever in 1835, offers a glimpse into the controversial events surrounding this establishment. The intricate details of the engraving bring to life an eerie atmosphere as dark forces seem to be at work amidst the brewing process. The image portrays demons lurking around the apparatus used for distillation, emphasizing their malevolent presence within this seemingly ordinary setting. This print holds historical significance as it reflects not only on the existence of such establishments during that era but also on societal conflicts and legal battles that ensued. It is worth noting that Deacon Giles had successfully sued Cheever for libel over his fictional account. Through this artwork, we gain insight into the complex relationship between religion and vices like alcohol production during nineteenth-century America. It serves as a reminder of how deeply intertwined moral values were with daily life and how even respected members of society could find themselves embroiled in controversy. Granger Art on Demand has provided us with an intriguing visual artifact that invites contemplation about our past while shedding light on cultural dynamics and human nature itself.
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