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Canvas Print : Study of a Drunken Man Passing a Bank. Creator: Charles Samuel Keene (British, 1823-1891)
Canvas Prints from Heritage Images
Study of a Drunken Man Passing a Bank. Creator: Charles Samuel Keene (British, 1823-1891)
Study of a Drunken Man Passing a Bank
Heritage Images features heritage image collections
Media ID 19640814
© Heritage Art/Heritage Images
1823 1891 Charles Samuel Keene Charles Samuel Keene British Pen And Ink
30"x20" (76x51cm) Canvas Print
Bring the timeless charm of Victorian art into your home with our Canvas Print of "Study of a Drunken Man Passing a Bank" by Charles Samuel Keene. This captivating piece, available through Media Storehouse in partnership with Heritage Images, showcases Keene's masterful brushwork and intriguing narrative. Witness the moment of human struggle and redemption as the drunken man passes by the bank, all while adding an elegant touch to your living space. Experience the beauty of art in a whole new way with our premium canvas prints.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Study of a Drunken Man Passing a Bank" captures the essence of 19th-century British society through the skilled pen and ink work of Charles Samuel Keene. The image depicts a scene in which a disheveled, intoxicated man stumbles past an imposing bank building in England. Keene's attention to detail is evident as he masterfully portrays the man's unsteady gait, his clothes askew, and his vacant expression. Through this study, Keene offers us a glimpse into the social issues prevalent during that era – alcoholism and class disparity. The juxtaposition of the drunken man against the grandeur of the bank symbolizes not only his personal struggle but also serves as commentary on societal inequalities. It prompts viewers to reflect upon how wealth and privilege coexist with poverty and addiction within urban landscapes. As we observe this artwork from Heritage Art/Heritage Images, we are reminded that art has always been a powerful medium for social critique. Keene's ability to capture such raw human emotions invites us to contemplate our own place within society while raising awareness about pressing issues that transcend time. Displayed at The Cleveland Museum of Art, this piece stands as a testament to Keene's talent as well as its enduring relevance in today's world.
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