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Canvas Print : William Hogarth - The Rakes Progress

William Hogarth - The Rakes Progress



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William Hogarth - The Rakes Progress

The Rakes Progress 4. Arrested for debt in Whitehall as he is going to court Date: 1735

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 20146869

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%unrestricted 1735 Arrested Bailiffs Chairs Debt Hogarth Lamplighter Muff Powered Progress Rake Rakes Sedan Whitehall


20"x16" (51x41cm) Canvas Print

Experience the captivating narrative of William Hogarth's iconic series, "A Rake's Progress," brought to life with our Media Storehouse Canvas Prints. This exquisite reproduction showcases the fourth scene, "Arrested for Debt in Whitehall as he is going to court," dated 1735. Each canvas print is meticulously crafted using premium materials and vibrant colors, ensuring a stunning and long-lasting addition to your home or office. Immerse yourself in the rich history and intrigue of Hogarth's masterpiece, as the story of Tom Rakewell unfolds before your eyes.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Arts > Artists > H > William Hogarth

> Arts > Artists > William Hogarth

> Europe > United Kingdom > England > London > Art > William Hogarth

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> Mary Evans Prints Online > New Images July 2020


EDITORS COMMENTS
William Hogarth's 'The Rakes Progress: Plate 4 - Arrested for Debt in Whitehall as he is going to Court' (1735) is a captivating print that continues the narrative of Tom Rakewell's downward spiral. In this installment, Tom, now deeply in debt, is being transported in a sedan chair through the streets of Whitehall, escorted by bailiffs and a lamplighter. The once proud and fashionable man, dressed in a muff and a worn-out hat, looks disheveled and defeated. The powerfully built sedan chair is pulled by two men, while Tom's loyal dog follows closely behind. The scene is set against the backdrop of Whitehall, with its grand buildings and the imposing presence of the Palace of Westminster. The contrast between Tom's former opulence and his current state of poverty is stark. The progress of Tom Rakewell's life, as depicted in this series of six prints, is a cautionary tale of the consequences of excessive living and the pitfalls of debt. Hogarth masterfully uses the visual language of art to convey the moral message, employing a rich palette, dynamic compositions, and intricate details. This print, created in 1735, is a testament to Hogarth's skill as a social commentator and a storyteller. It invites the viewer to reflect on the human condition and the choices we make in life. The arrest in Whitehall marks a turning point in Tom's story, as he is forced to confront the reality of his situation and the consequences of his past actions. The image of Tom, surrounded by the trappings of his former life, serves as a reminder of the fleeting nature of wealth and the importance of living a virtuous life.

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