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Photographic Print : William Hogarth - The Rakes Progress
Photo Prints from Mary Evans Picture Library
William Hogarth - The Rakes Progress
The Rakes Progress 4. Arrested for debt in Whitehall as he is going to court Date: 1735
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Media ID 20146869
© Bubblepunk
%unrestricted 1735 Arrested Bailiffs Chairs Debt Hogarth Lamplighter Muff Powered Progress Rake Rakes Sedan Whitehall
10"x8" (25x20cm) Photo Print
Introducing the Media Storehouse range of Photographic Prints featuring the iconic artwork "The Rakes Progress 4: Arrested for Debt in Whitehall as he is going to court" by William Hogarth, available through Mary Evans Prints Online. This captivating print showcases Hogarth's mastery of storytelling through art, as we find the debauched character, Tom Rakewell, being apprehended for unpaid debts in the bustling streets of Whitehall. Each print in our collection is meticulously reproduced to showcase the intricate details and vibrant colors of the original artwork, making it an excellent addition to any home or office decor. Experience the rich history of art with our high-quality photographic prints.
Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
William Hogarth's 'The Rakes Progress: Plate 4 - Arrested for Debt in Whitehall as he is going to Court' (1735) is a captivating print that continues the narrative of Tom Rakewell's downward spiral. In this installment, Tom, now deeply in debt, is being transported in a sedan chair through the streets of Whitehall, escorted by bailiffs and a lamplighter. The once proud and fashionable man, dressed in a muff and a worn-out hat, looks disheveled and defeated. The powerfully built sedan chair is pulled by two men, while Tom's loyal dog follows closely behind. The scene is set against the backdrop of Whitehall, with its grand buildings and the imposing presence of the Palace of Westminster. The contrast between Tom's former opulence and his current state of poverty is stark. The progress of Tom Rakewell's life, as depicted in this series of six prints, is a cautionary tale of the consequences of excessive living and the pitfalls of debt. Hogarth masterfully uses the visual language of art to convey the moral message, employing a rich palette, dynamic compositions, and intricate details. This print, created in 1735, is a testament to Hogarth's skill as a social commentator and a storyteller. It invites the viewer to reflect on the human condition and the choices we make in life. The arrest in Whitehall marks a turning point in Tom's story, as he is forced to confront the reality of his situation and the consequences of his past actions. The image of Tom, surrounded by the trappings of his former life, serves as a reminder of the fleeting nature of wealth and the importance of living a virtuous life.
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