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Canvas Print : Typical village scene, Ceylon (Sri Lanka)
Canvas Prints from Mary Evans Picture Library
Typical village scene, Ceylon (Sri Lanka)
Typical village scene with ox-drawn cart, Ceylon (Sri Lanka). Date: circa 1930s
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14410353
© Mary Evans / Pharcide
Ceylon Drawn Driver Driving Huts Lane Lanka Narrow Oxen Typical
30"x20" (76x51cm) Canvas Print
Bring the enchanting beauty of Ceylon (Sri Lanka) into your home with our exquisite Canvas Prints from Media Storehouse. This captivating image, sourced from Mary Evans Prints Online, showcases a typical village scene from the 1930s. Ox-drawn carts meander through the lush greenery, transporting goods between quaint, colorful buildings. Experience the charm and history of this far-off land with every detail brought to life in vibrant, high-quality canvas. Perfect for adding a touch of exotic elegance to any room.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This evocative photograph captures the essence of rural life in Ceylon (now Sri Lanka) during the 1930s, a time when the British Empire still held sway over the island nation. The narrow lane, lined with traditional huts, leads to the center of the village where a man skillfully navigates his ox-drawn cart through the bustling scene. The oxen, harnessed and ready to work, stand patiently as their driver engages with the crowd of villagers gathered around. The people of the village, dressed in traditional Indian attire, go about their daily business, oblivious to the camera's intrusion. The simple huts, made of woven palm fronds and mud, offer a glimpse into the modest living conditions of the rural population. The cart, a common mode of transportation in the absence of motorized vehicles, is a testament to the village's reliance on traditional methods for survival. This photograph transports us back in time, offering a window into a bygone era of colonial Ceylon and the simple, yet resilient, village life that thrived within it.
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