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Election Candidate, or the Republican Goose at the Top of the Pole
NCO193106 Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Richard Brinsley Sheridan (1751-1816) dressed as a harlequin; ); English, out of copyright
Media ID 22602010
© Bridgeman Images
7 Deadly Sins Anger Angry Anthropomorphic Beams Beer Bicorn Chimney Clerical Dress Climbing Club Devil Dustpan And Brush Falling Fool Furor Gleaming Hustings Jeering Naval Officer Pole Political Satire Protest Quassia Rage Rays Reformer Seven Deadly Sins Shouting Striped Trousers Tumbling Westminster Election Beaming
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Election Candidate, or the Republican Goose at the Top of the Pole" takes us back to a time when political satire was both humorous and thought-provoking. Created by James Gillray in 1807, this hand-coloured etching showcases Richard Brinsley Sheridan, dressed as a harlequin, amidst a chaotic election scene. Sheridan's attire symbolizes his role as an entertainer turned politician, highlighting the theatrical nature of politics during that era. As he climbs up the pole with a walking stick in hand, we see various elements representing different aspects of society - from urban houses to reformers and even an angry mob. The satirical imagery is rich with symbolism: a crown atop the pole represents power while wings allude to ambition. A devilish figure jeering from below adds an element of mischief and chaos to the scene. Meanwhile, politicians brandishing axes and wielding canes reflect their aggressive tactics in pursuit of victory. Amidst this uproar, one cannot help but notice Paul Goose - anthropomorphized as a sailor - beaming rays of light upon Sheridan. This whimsical touch suggests that even amid political turmoil, there are moments of joy and levity. Gillray's engraving skillfully captures not only the absurdity but also the underlying emotions associated with elections: anger, rage, and furor among those vying for power. It serves as a reminder that despite changing times and evolving political landscapes since its creation over two centuries ago; some things remain constant – our desire for representation coupled with our ability to find humor within it all.
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