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Metal Print : Election Candidate, or the Republican Goose at the Top of the Pole

Election Candidate, or the Republican Goose at the Top of the Pole



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Election Candidate, or the Republican Goose at the Top of the Pole

NCO193106 Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Richard Brinsley Sheridan (1751-1816) dressed as a harlequin; ); English, out of copyright

Media ID 22602010

© Bridgeman Images

7 Deadly Sins Anger Angry Anthropomorphic Beams Beer Bicorn Chimney Clerical Dress Climbing Club Devil Dustpan And Brush Falling Fool Furor Gleaming Hustings Jeering Naval Officer Pole Political Satire Protest Quassia Rage Rays Reformer Seven Deadly Sins Shouting Striped Trousers Tumbling Westminster Election Beaming


10"x8" (25x20cm) Table Top Metal Print

Bring a touch of historical wit to your home or office with our Media Storehouse Metal Prints featuring Bridgeman Images' "Election Candidate, or the Republican Goose at the Top of the Pole" by James Gillray. This iconic 1807 hand-coloured etching from Hannah Humphrey's Fine Art Finder collection captures the satirical spirit of the time, with the Republican Goose triumphantly perched atop a pole, symbolizing the election of a new candidate. Our high-quality metal prints are vibrant, durable, and waterproof, ensuring your art investment remains a conversation starter for years to come.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> Animals > Fishes > D > Devil Ray

> Animals > Mammals > Cricetidae > Brush Mouse

> Animals > Mammals > Muridae > House Mouse

> Arts > Artists > G > James Gillray

> Arts > Artists > R > Man Ray

> Arts > Pop art > Satire > Satirical artwork

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Arts > Street art graffiti > Portraits > Urban art

> Arts > Street art graffiti > Urban art > Portraits


EDITORS COMMENTS
The captivating print titled "Election Candidate, or the Republican Goose at the Top of the Pole" takes us back to a time when political satire was both humorous and thought-provoking. Created by James Gillray in 1807, this hand-coloured etching showcases Richard Brinsley Sheridan, dressed as a harlequin, amidst a chaotic election scene. Sheridan's attire symbolizes his role as an entertainer turned politician, highlighting the theatrical nature of politics during that era. As he climbs up the pole with a walking stick in hand, we see various elements representing different aspects of society - from urban houses to reformers and even an angry mob. The satirical imagery is rich with symbolism: a crown atop the pole represents power while wings allude to ambition. A devilish figure jeering from below adds an element of mischief and chaos to the scene. Meanwhile, politicians brandishing axes and wielding canes reflect their aggressive tactics in pursuit of victory. Amidst this uproar, one cannot help but notice Paul Goose - anthropomorphized as a sailor - beaming rays of light upon Sheridan. This whimsical touch suggests that even amid political turmoil, there are moments of joy and levity. Gillray's engraving skillfully captures not only the absurdity but also the underlying emotions associated with elections: anger, rage, and furor among those vying for power. It serves as a reminder that despite changing times and evolving political landscapes since its creation over two centuries ago; some things remain constant – our desire for representation coupled with our ability to find humor within it all.

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Related Images


A Scene at the New Theatre, Covent Garden: satire depicting a political hustings in Covent Garden, London, 1784 (engraving)
A Scene at the New Theatre, Covent Garden: satire depicting a political hustings in Covent Garden, London, 1784 (engraving)

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