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Cushion : Ruined House, c. 1807-10 (oil on millboard mounted on panel)

Ruined House, c. 1807-10 (oil on millboard mounted on panel)



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Ruined House, c. 1807-10 (oil on millboard mounted on panel)

XYC165936 Ruined House, c.1807-10 (oil on millboard mounted on panel) by Cotman, John Sell (1782-1842); 40.9x34.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12735939

© www.bridgemanart.com

Dilapidated Falling Down Gable Norwich School Remains Vernacular Architecture


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Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases the haunting beauty of a "Ruined House" painted by John Sell Cotman in the early 19th century. The dilapidated structure, depicted with remarkable detail and skillful brushstrokes, transports viewers to a bygone era. Standing tall yet on the verge of collapse, this abandoned house tells a story of forgotten lives and faded memories. Cotman's mastery is evident in his portrayal of the ruin's gable exterior, capturing every weathered brick and crumbling stone with precision. The play of light and shadow adds depth to the scene, accentuating the desolation that permeates through its walls. The artist was part of the Norwich School, known for their focus on vernacular architecture and natural landscapes. In this piece, Cotman expertly conveys both aspects as he captures not only the physical decay but also an intangible sense of melancholy that hangs in the air. Displayed at Yale Center for British Art as part of Paul Mellon Collection, this artwork invites contemplation about impermanence and transience. It serves as a reminder that even grand structures can succumb to time's relentless march. As we gaze upon this mesmerizing print from Fine Art Finder, we are transported into an eerie world where ruins become symbols of resilience amidst decay. This image resonates deeply within us – evoking emotions ranging from nostalgia to awe – reminding us that beauty can be found even in what remains after everything has fallen apart.

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