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Metal Print : Ruined House, c. 1807-10 (oil on millboard mounted on panel)
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Ruined House, c. 1807-10 (oil on millboard mounted on panel)
XYC165936 Ruined House, c.1807-10 (oil on millboard mounted on panel) by Cotman, John Sell (1782-1842); 40.9x34.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12735939
© www.bridgemanart.com
Dilapidated Falling Down Gable Norwich School Remains Vernacular Architecture
10"x8" (25x20cm) Table Top Metal Print
Bring the haunting beauty of John Sell Cotman's "Ruined House" into your home with a Media Storehouse Metal Print. This exquisite work of art, originally painted in oil on millboard mounted on panel around 1807-10, is now available in a modern and durable metal print format. The rich colors and intricate details of the painting are brilliantly captured in this high-quality print, making it a stunning addition to any decor. The rugged texture of the metal adds depth and dimension, while the vibrant colors and sharp lines bring the image to life. Experience the timeless charm of this masterpiece from Bridgeman Art Online and Fine Art Finder with a Media Storehouse Metal Print.
Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the haunting beauty of a "Ruined House" painted by John Sell Cotman in the early 19th century. The dilapidated structure, depicted with remarkable detail and skillful brushstrokes, transports viewers to a bygone era. Standing tall yet on the verge of collapse, this abandoned house tells a story of forgotten lives and faded memories. Cotman's mastery is evident in his portrayal of the ruin's gable exterior, capturing every weathered brick and crumbling stone with precision. The play of light and shadow adds depth to the scene, accentuating the desolation that permeates through its walls. The artist was part of the Norwich School, known for their focus on vernacular architecture and natural landscapes. In this piece, Cotman expertly conveys both aspects as he captures not only the physical decay but also an intangible sense of melancholy that hangs in the air. Displayed at Yale Center for British Art as part of Paul Mellon Collection, this artwork invites contemplation about impermanence and transience. It serves as a reminder that even grand structures can succumb to time's relentless march. As we gaze upon this mesmerizing print from Fine Art Finder, we are transported into an eerie world where ruins become symbols of resilience amidst decay. This image resonates deeply within us – evoking emotions ranging from nostalgia to awe – reminding us that beauty can be found even in what remains after everything has fallen apart.
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