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Cushion : Mary Stuart, Princess of Orange, as Widow of William II, 1652 (oil on canvas)
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Mary Stuart, Princess of Orange, as Widow of William II, 1652 (oil on canvas)
3545905 Mary Stuart, Princess of Orange, as Widow of William II, 1652 (oil on canvas) by Helst, Bartolomeus van der (1613-70); 199.5x170 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Mary Henrietta (1631-1660) painted here in royal mourning (white) at the Hague, was Princess of Orange and Countess of Nassau by marriage to Willem II. Eldest daughter of King Charles I, she was the first to hold the title Princess Royal and was co-regent for her son, later William III, during his minority.
Through arch Stadtholders gate of the Binnenhof with a view of The Hague.); Dutch, out of copyright
Media ID 22981364
© Bridgeman Images
17th Den Haag Dutch Golden Age Formal Golden Age House Of Orange Orange Princess Royal Seventeenth Stadtholder The Hague Binnenhof Jewels St Jacob
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait captures the elegance and sorrow of Mary Stuart, Princess of Orange, as she mourns the loss of her husband William II. Painted in 1652 by Bartolomeus van der Helst, this oil on canvas print showcases Mary Henrietta's regal presence amidst a backdrop of royal symbolism. Dressed in white, a traditional color for mourning during that era, Mary Stuart exudes grace and poise. As the eldest daughter of King Charles I and wife to Willem II, she held significant titles including Princess Royal and co-regent for her son William III. The painting depicts her role as a strong leader during her son's minority. The composition is enriched by its setting - through an arch Stadtholders gate at Binnenhof with a view of The Hague. This adds depth to the narrative while emphasizing Mary Stuart's connection to Dutch royalty. Every detail is meticulously captured; from the intricate lace adorning her gown to the exquisite jewels that adorn her neck and fingers. These elements highlight both her status within society and the opulence associated with Dutch Golden Age portraiture. Overall, this portrait serves as a testament to Mary Stuart's strength and resilience in times of adversity. It stands as a timeless representation not only of Dutch history but also as an example of artistry from the seventeenth century.
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