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Poster Print : Mary Stuart, Princess of Orange, as Widow of William II, 1652 (oil on canvas)

Mary Stuart, Princess of Orange, as Widow of William II, 1652 (oil on canvas)



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Mary Stuart, Princess of Orange, as Widow of William II, 1652 (oil on canvas)

3545905 Mary Stuart, Princess of Orange, as Widow of William II, 1652 (oil on canvas) by Helst, Bartolomeus van der (1613-70); 199.5x170 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Mary Henrietta (1631-1660) painted here in royal mourning (white) at the Hague, was Princess of Orange and Countess of Nassau by marriage to Willem II. Eldest daughter of King Charles I, she was the first to hold the title Princess Royal and was co-regent for her son, later William III, during his minority.
Through arch Stadtholders gate of the Binnenhof with a view of The Hague.); Dutch, out of copyright

Media ID 22981364

© Bridgeman Images

17th Den Haag Dutch Golden Age Formal Golden Age House Of Orange Orange Princess Royal Seventeenth Stadtholder The Hague Binnenhof Jewels St Jacob


A3 (42 x 29.7cm) Poster Print

Bring historical elegance to your walls with our exquisite Mary Stuart, Princess of Orange, as Widow of William II print from the Media Storehouse collection. This stunning oil on canvas painting, created by Bartolomeus van der Helst in 1652, captures the poise and grace of Mary Stuart in her mourning attire. A timeless masterpiece from the Rijksmuseum in Amsterdam, this print is a must-have for any art lover or history enthusiast. Add a touch of royal charm to your home decor with this beautiful and authentic reproduction.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 30.6cm x 42.6cm (12" x 16.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Bartolomeus van der Helst

> Fine Art Finder > Artists > Ohara Koson

> Animals > Mammals > Cricetidae > Golden Mouse

> Arts > Art Movements > Baroque

> Arts > Artists > C > King Charles

> Arts > Artists > C > William Charles

> Arts > Artists > D > Jacob Denner

> Arts > Artists > H > Bartolomeus van der Helst

> Arts > Artists > J > Jacob Jacobs

> Arts > Artists > W > Charles White

> Arts > Artists > W > William White

> Arts > Still life artwork > Oil paintings > Portrait paintings


EDITORS COMMENTS
This portrait captures the elegance and sorrow of Mary Stuart, Princess of Orange, as she mourns the loss of her husband William II. Painted in 1652 by Bartolomeus van der Helst, this oil on canvas print showcases Mary Henrietta's regal presence amidst a backdrop of royal symbolism. Dressed in white, a traditional color for mourning during that era, Mary Stuart exudes grace and poise. As the eldest daughter of King Charles I and wife to Willem II, she held significant titles including Princess Royal and co-regent for her son William III. The painting depicts her role as a strong leader during her son's minority. The composition is enriched by its setting - through an arch Stadtholders gate at Binnenhof with a view of The Hague. This adds depth to the narrative while emphasizing Mary Stuart's connection to Dutch royalty. Every detail is meticulously captured; from the intricate lace adorning her gown to the exquisite jewels that adorn her neck and fingers. These elements highlight both her status within society and the opulence associated with Dutch Golden Age portraiture. Overall, this portrait serves as a testament to Mary Stuart's strength and resilience in times of adversity. It stands as a timeless representation not only of Dutch history but also as an example of artistry from the seventeenth century.

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