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NAST: TWEED RING CARTOON. Stop Thief! One of Thomas Nasts vitriolic attacks
NAST: TWEED RING CARTOON.
Stop Thief! One of Thomas Nasts vitriolic attacks on Boss William M. Tweed and the Tweed Ring published shortly before the New York state and municipal elections of 1871
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12322314
1871 Corruption Crime Employer Magear Marcy Nast New Yorker Politics Ring Statesman Tammany Tweed Tweed Ring William
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print titled "NAST: TWEED RING CARTOON. Stop Thief! One of Thomas Nasts vitriolic attacks" takes us back to the year 1871, a time when American politics was marred by corruption and crime. In this powerful image, renowned artist Thomas Nast unleashes his artistic prowess to expose Boss William M. Tweed and the infamous Tweed Ring. As we delve into the details of this cartoon, we witness Nast's unyielding criticism of Tweed's corrupt practices within New York City. The visual narrative depicts an employer being robbed by none other than Boss Tweed himself, symbolizing how he exploited his position for personal gain at the expense of hardworking citizens. The late 19th-century setting further enhances our understanding of the socio-political climate during that era. With references to prominent figures such as Magear, Marcy, and Tammany (Tammany Hall), Nast cleverly highlights their involvement in this web of deceit and manipulation. Published just before the crucial state and municipal elections in 1871, this scathing attack on corruption aimed to sway public opinion against Tweed and his cohorts. It serves as a testament to Nast's role as a statesman through art – using satire and symbolism to hold those in power accountable. This print not only captures a pivotal moment in American history but also reminds us that even amidst darkness, there are individuals like Thomas Nast who fearlessly wield their creativity
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