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Cushion : Kafir of the Amakosa, 1848

Kafir of the Amakosa, 1848



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Kafir of the Amakosa, 1848

Kafir of the Amakosa, 1848. A man from the Amakosah people in what is now South Africa. Kafir, an offensive term, is no longer used. An engraving from the Natural History of Man, by James Cowles Prichard, (Hippolyte Bailliere, London, third edition, 1848)

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Media ID 14917979

© The Print Collector / Heritage-Images

Caffre Cloak Ethnicity Ethnography Ethnology James Cowles James Cowles Prichard James Prichard Kaffir Kaffirs Kaffre Kafir Natural History Prichard Pritchard Race South Africa South African Tribe


Cushion

Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Africa > South Africa > Related Images

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Kafir of the Amakosa, 1848 - A Glimpse into South Africa's Indigenous Heritage

EDITORS COMMENTS
. This print showcases a man from the Amakosah people, an indigenous tribe in what is now known as South Africa. Captured in 1848 by James Cowles Prichard for his renowned work "The Natural History of Man" this engraving offers us a unique glimpse into the rich cultural diversity and ethnic heritage of the region during the 19th century. It is important to note that while the term 'Kafir' was used at that time, it is now considered offensive and no longer employed. This image serves as a reminder of how language evolves over time and highlights our progress towards more inclusive terminology. Dressed in traditional attire, this distinguished gentleman dons a striking cloak adorned with vibrant colors. His portrait not only reflects his individuality but also represents an entire community steeped in history and tradition. Through ethnography and ethnology, Prichard aimed to document various races around the world scientifically. This engraving stands as evidence of his dedication to understanding different cultures through meticulous observation and artistic representation. As we admire this remarkable piece of artistry today, let us appreciate its historical significance by acknowledging both its aesthetic beauty and its contribution to our understanding of South African heritage.

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