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Cushion : Fa licien Rops, Satan Sowing Tare (Satan semant l ivraie), Belgian, 1833 - 1898

Fa licien Rops, Satan Sowing Tare (Satan semant l ivraie), Belgian, 1833 - 1898



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Fa licien Rops, Satan Sowing Tare (Satan semant l ivraie), Belgian, 1833 - 1898

Fa© licien Rops, Satan Sowing Tare (Satan semant l ivraie), Belgian, 1833 - 1898, aquatint and etching

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12887857

© Quint Lox Limited

1833 Aquatint Belgian Felicien Félicien Rops Rops Satan Sowing Tare


Cushion

Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
In this photo print, we are presented with "Satan Sowing Tare" by the renowned Belgian artist Félicien Rops. The image showcases Rops' mastery of aquatint and etching techniques, as he brings to life a dark and thought-provoking scene. The composition depicts Satan himself, portrayed in all his malevolent glory, sowing tares among a field of wheat. Symbolically representing evil infiltrating the pure and good aspects of life, this powerful imagery invites viewers to reflect on the eternal struggle between light and darkness. Rops' attention to detail is evident in every aspect of the artwork. From Satan's menacing expression to the intricate lines that define each element within the frame, there is an undeniable sense of craftsmanship that draws us deeper into this haunting narrative. As we delve into this piece further, it becomes apparent that Rops was not merely interested in creating a visually striking image but also aimed to provoke contemplation about morality and temptation. Through his artistry, he challenges us to confront our own inner demons and consider how easily they can corrupt even the most virtuous aspects of our lives. Quint Lox's skillful capture of this iconic work allows us to appreciate its intricacies from afar while still feeling its emotional impact. This print serves as a testament to both Félicien Rops' artistic genius and Quint Lox's ability to preserve its essence for generations to come.

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