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Cushion : Antonio da Correggio (1489-1534(. Italian painter. Statue by

Antonio da Correggio (1489-1534(. Italian painter. Statue by



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Antonio da Correggio (1489-1534(. Italian painter. Statue by

Antonio da Correggio (1489-1534(. italian painter. Statue by Agostino Ferrarini. 1870. Garibaldi Square. Parma. Italy

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14326796

© Thaliastock / Mary Evans

Agostino Allegri Antonio Belt Cape Carrara Cloak Correggio Garibaldi Hands Mannerism Marble Notebook Painter Parma Pencil Pensive Piazza Renaissance Shoes 15th Corregio


Cushion

Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This photograph captures the intricate details of the marble statue of the renowned Italian painter, Antonio Allegri da Correggio (1489-1534), created by Agostino Ferrarini in 1870. The statue stands proudly in Garibaldi Square, in the city of Parma, Italy, a testament to the rich artistic history of the region. Born during the High Renaissance period, Correggio was a leading figure in the Mannerist style, known for his innovative use of perspective and delicate handling of color. His mastery of the arts is evident in the statue's lifelike features, from the furrowed brow and pensive expression on his face to the intricately detailed belt, cape, and shoes. The statue's hands are poised as if holding a notebook and pencil, a nod to Correggio's role as a painter and draftsman. The Carrara marble used in the sculpture adds an air of elegance and sophistication, reflecting the artistic prowess of both Correggio and Ferrarini. The statue's placement in Garibaldi Square, a bustling hub of activity in Parma, serves as a reminder of the enduring influence of these two great artists on the art world. The statue invites visitors to pause and reflect on the rich history of Italian art and the men who shaped it. As you gaze upon this photograph, take a moment to appreciate the intricacies of the statue's design, the historical significance of its subject, and the beauty of the Italian city that has become its home.

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