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Cushion : Zurbaran, Francisco de (1598-1664). Spanish painter. Saint A

Zurbaran, Francisco de (1598-1664). Spanish painter. Saint A



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Zurbaran, Francisco de (1598-1664). Spanish painter. Saint A

Zurbaran, Francisco de (1598-1664). Spanish painter. Saint Andrew, c. 1635-1640. Detail. Museum of Fine Arts. Budapest. Hungary

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14314863

© Thaliastock / Mary Evans

Andrew Baroque Bearded Catholicism Contrast Friar Monk Read Seventeenth Shadow Sixteenth Xvii Xviith Xvith


Cushion

Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This detail from Francisco de Zurbaran's (1598-1664) painting of Saint Andrew, created around 1635-1640, is a stunning representation of the Catholic saint and early Christian apostle. Hailing from the Spanish Baroque period, Zurbaran's work is renowned for its dramatic contrasts between light and shadow, and this detail exemplifies that signature style. Saint Andrew, depicted here as an elderly monk with a long, flowing beard, is shown in deep contemplation, engrossed in the open book before him. The play of light and shadow on his face and the folds of his monk's habit create a sense of depth and texture that draws the viewer in. The stark contrast between the illuminated pages of the book and the dark background further emphasizes the importance of the written word in the spiritual life of this revered saint. Andrew, one of the twelve apostles, is believed to have been crucified on an X-shaped cross, which is why he is often depicted with an X-shaped cross in art. However, in this painting, Zurbaran chooses to focus on Saint Andrew's role as a scholar and teacher, highlighting his dedication to the study of religious texts. This exquisite detail is a testament to the rich artistic and historical heritage of Europe during the 16th and 17th centuries, and serves as a reminder of the enduring influence of Catholicism and Christianity on the art and culture of the modern age.

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