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Two Gunners Victims Of Four Horses Fleeing On The Hills Along The Right Bank Of The Po, Near Turin (colour litho)
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Two Gunners Victims Of Four Horses Fleeing On The Hills Along The Right Bank Of The Po, Near Turin (colour litho)
2798605 Two Gunners Victims Of Four Horses Fleeing On The Hills Along The Right Bank Of The Po, Near Turin (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Two Gunners Victims Of Four Horses Fleeing On The Hills Along The Right Bank Of The Po, Near Turin. Illustration for Courier Sunday, 9 November 1902.); © Look and Learn
Media ID 23463326
© Look and Learn / Bridgeman Images
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This print titled "Two Gunners Victims Of Four Horses Fleeing On The Hills Along The Right Bank Of The Po, Near Turin" by Achille Beltrame takes us back to a moment frozen in time. Set against the breathtaking backdrop of wild hills and the serene river, the image captures a dramatic scene unfolding at sunset. In this chaotic tableau, two uniformed gunners lie fallen on the ground, injured and victims of four galloping horses running amok. Their carriage is nowhere to be seen as it disappears into the distance. Winter has cast its icy grip on the landscape, with snow covering the ground adding an air of desolation. The artist's skillful use of color lithography brings out every detail - from the soldiers' uniforms to their expressions filled with pain and confusion. As they struggle to comprehend what has just happened, one can almost feel their desperation for help. This artwork not only showcases Beltrame's talent as an illustrator but also serves as a reminder of the dangers faced by those serving in military combat units. It highlights both physical injuries and mental strain endured by soldiers during times of conflict. Through this powerful image, we are transported to another era where bravery and sacrifice were intertwined with chaos and uncertainty. It reminds us that even amidst madness and turmoil, there is beauty in art that helps us reflect upon our shared human experiences.
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