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Farnley Hall From Above Otley, (pencil and watercolour)
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Farnley Hall From Above Otley, (pencil and watercolour)
651937 Farnley Hall From Above Otley, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 28.3x39.7 cm; Private Collection; (add.info.: Farnley Hall From Above Otley. Joseph Mallord William Turner (1775-1851). Pencil and watercolour. 28.3 x 39.7cm.); Photo eChristies Images; English, out of copyright
Media ID 22426184
© Christie's Images / Bridgeman Images
072012upload British Art British Art On Paper Early 19th Century Early Nineteenth Century Elevated Elevated View English Art English Artist Goat J M W Turner Joseph Mallord William Turner Pencil Pencil Drawing Romantic Art Romantic Era Romanticism Turner Water Color Water Colour West Yorkshire Wooded Yorkshire Artist British British Artist Natural Space Otley
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EDITORS COMMENTS
This print showcases Joseph Mallord William Turner's masterpiece, "Farnley Hall From Above Otley". The artwork, created with pencil and watercolour, measures 28.3x39.7 cm and is part of a private collection. Turner's talent for capturing the essence of English countryside shines through in this piece. The elevated view allows us to appreciate the beauty of Farnley Hall as it sits peacefully amidst the woodlands of West Yorkshire. The artist's meticulous attention to detail brings every element to life - from the lush greenery that surrounds the hall to the serene waters that reflect its grandeur. The romantic era influences are evident in Turner's use of soft colors and delicate brushstrokes, creating a dreamlike atmosphere. As we gaze upon this scene, we can almost imagine ourselves transported back to early nineteenth-century England, where time seems to stand still. Notably absent from this idyllic landscape are any human figures; instead, a lone goat grazes peacefully nearby. This absence only enhances our sense of tranquility and allows us to fully immerse ourselves in nature's embrace. As we admire Turner's skillful rendering of Farnley Hall From Above Otley, we cannot help but be reminded of the timeless beauty found within British art. This piece serves as a testament not only to Turner's artistic prowess but also to his ability to capture the essence and charm of rural England during this period.
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