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Angel Musician, 1879 (stained glass)

Angel Musician, 1879 (stained glass)


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Angel Musician, 1879 (stained glass)

3475518 Angel Musician, 1879 (stained glass) by Burne-Jones, Edward Coley (1833-98); St. Marys Church, Tadcaster, Yorkshire, UK; (add.info.: Morris & Co.); eAlastair Carew-Cox; English, out of copyright

Media ID 22726972

© Alastair Carew-Cox / Bridgeman Images

Aestheticism Arts And Crafts Banner Foliage Iconography Idealised Palm String Stringed Stylised Viola Winged Pre Raphaelite


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> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Music

> Europe > United Kingdom > England > Yorkshire > Holme

> Europe > United Kingdom > England > Yorkshire > Tadcaster

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Artists > Edward Holmes Jewitt


EDITORS COMMENTS
This print showcases the exquisite stained glass artwork titled "Angel Musician, 1879" by Edward Coley Burne-Jones. Located in St. Mary's Church, Tadcaster, Yorkshire, UK, this masterpiece is a true representation of the Arts and Crafts movement. The angel depicted in this piece embodies both musical talent and divine beauty. With its idealized features and majestic wings spread wide open, it exudes a sense of ethereal grace. The intricate inscription on the palm leaf held by the angel adds to its symbolic significance. The artist's attention to detail is evident in every element of this composition. The vibrant blue hues representing water create a serene backdrop for the angelic figure surrounded by lush foliage and delicate sea leaves. As part of Morris & Co. , known for their exceptional craftsmanship during the Victorian era, this stained glass window exemplifies their dedication to creating breathtaking religious art pieces. The viola held by the angel serves as an instrument that transcends earthly boundaries through its melodious strings. This photograph captures not only Burne-Jones' remarkable artistic style but also highlights the profound impact of religion and spirituality within Victorian society. It stands as a testament to pre-Raphaelite aesthetics while showcasing the timeless beauty found within religious iconography.

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