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Cincinnatus in Retirement, published by E. D Archery in 1782 (hand-coloured etching)
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Cincinnatus in Retirement, published by E. D Archery in 1782 (hand-coloured etching)
NCO191714 Cincinnatus in Retirement, published by E. D Archery in 1782 (hand-coloured etching) by Gillray, James (1757-1815); 22.5x31.5 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: rumoured to be a Roman Catholic; comparison with Roman dictator (519 BC) who retired to the country; ); English, out of copyright
Media ID 23356156
© Bridgeman Images
Bone Candle Chamber Pot Cravat Demon Devil Edmund Burke Fireplace Francis Frugal Goblin Habit Hearth Hobgoblin Impoverished Jesuit Kitchen Opposition Political Satire Potatoes Rosary Rumour Sandals Scandal Shabby Shovel Slander Spectacles Steaming Tongs Trestle Table Sparse
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This hand-coloured etching, titled "Cincinnatus in Retirement" was published by E. D Archery in 1782 and created by the renowned artist James Gillray. The print measures 22.5x31.5 cm and is courtesy of the Warden and Scholars of New College, Oxford. The image portrays a scene filled with political satire and symbolism, reflecting the turbulent times of the late 18th century. Cincinnatus, a Roman dictator from 519 BC who retired to the countryside after his term ended, is rumored to be represented here as a Roman Catholic figure. Within this satirical cartoon lies an array of elements that convey various messages: a chamber pot symbolizing scandal; potatoes representing poverty; smoking pipes suggesting anti-papist propaganda; dancing figures depicting impoverished individuals; and even a portrait of Pope Boniface hanging on the wall. Other details include spectacles, cravats, sandals, robes worn by Irish Catholic sympathizers or politicians associated with opposition movements such as Edmund Burke (1729-1797). A headless crucifix hints at slanderous rumors circulating about religious figures. The overall composition showcases Gillray's mastery in creating intricate caricatures while conveying political commentary through visual metaphors. This engraving serves as both entertainment for its viewers and criticism towards those in power during that era. Through its use of black-and-white hobgoblins alongside vividly colored elements like fire and steaming pots on a trestle table, this artwork captures attention while inviting interpretation into its complex narrative.
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