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Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524

Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524


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Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524

2384762 Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato, Rocca Sanvitale, stanza (o stufetta) di Diana e Atteone: particolare del ciclo di affreschi del Parmigianino (Girolamo Francesco Maria Mazzola) raffiguranti il mito di Diana e Atteone, tratto dalle Metamorfosi di Ovidio. La stanza, affrescata nel 1524, era probabilmente il bagno privato di Paola Gonzaga, moglie di Galeazzo Sanvitale. Due ninfe assistono al bagno di Diana, parete Ovest.
Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovids Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. Two nymphs attending at the Dianas bath); Ghigo Roli

Media ID 25131030

© Ghigo Roli / Bridgeman Images

Actaeon Architectural Detail Artemis Atteone Bathing Bathroom Cherubim Cherubini Diana Gonzaga Paola High And Late Renaissance Metamorphoses Muralist Painte Parma Parmigianino Parmigianino 1503 1540 Putti Cherub Cherubs Reinassance Renaissance Time Semi Nude


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> Historic > Renaissance art > Italian Renaissance art

> Italian renaissance art

> Italian Renaissance

> Renaissance art

> Sport > Cycling


EDITORS COMMENTS
This print captures a mesmerizing detail from Parmigianino's masterpiece, "Two nymphs attending at the Diana's bath". Painted in 1524, this fresco is part of the cycle of artworks depicting the mythological tale of Diana and Actaeon. The room where it resides, known as the Room of Diana and Actaeon, was believed to be the private bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. In this particular scene, two graceful nymphs are depicted delicately attending to Diana as she indulges in her bath. The artist's meticulous attention to detail is evident in every brushstroke - from the flowing drapery that adorns their bodies to their serene expressions that exude tranquility. Parmigianino masterfully brings Ovid's Metamorphoses to life through his skillful use of color and composition. The soft hues create an ethereal atmosphere while highlighting the beauty and purity associated with these mythical beings. As we gaze upon this print, we are transported back in time - witnessing a moment frozen forever on canvas. It serves as a reminder not only of Parmigianino's artistic genius but also of our enduring fascination with mythology and its ability to captivate our imagination across centuries. This photograph by Bridgeman Images allows us to appreciate this remarkable artwork even if we cannot stand before it ourselves. Its intricate details invite us into a world filled with enchantment and wonder - reminding us why art has such power over our hearts and minds.

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