Gonzaga Paola Collection

Dogs, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384766 Dogs, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Actaeon, turned into a stag, is eaten by his own dogs, from the Room of Diana and Actaeon, the Northern Wall
2384770 Actaeon, turned into a stag, is eaten by his own dogs, from the Room of Diana and Actaeon, the Northern Wall, detail of 2384753

Room of Diana and Actaeon, detail of 2384753, 1524
2384758 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384761 Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma)

Putto, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384769 Putto, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Room of Diana and Actaeon, detail of 2384753, 1524
2384755 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Room of Diana and Actaeon, detail of 2384753, 1524
2384754 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Room of Diana and Actaeon, 1524
2384753 Room of Diana and Actaeon, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato, Rocca Sanvitale)

Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384760 Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma)

Paola Gonzaga as the Goddess Ceres, from the Room of Diana and Actaeon, detail of 2384753, 15241524
2384775 Paola Gonzaga as the Goddess Ceres, from the Room of Diana and Actaeon, detail of 2384753, 15241524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma

Room of Diana and Actaeon, detail of 2384753, 1524
2384773 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384764 Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma

Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384762 Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma

Paola Gonzaga as the Goddess Ceres, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384774 Paola Gonzaga as the Goddess Ceres, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma

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"Gonzaga Paola: A Captivating Tale of Dogs, Myths, and Intrigue" In the enchanting Room of Diana and Actaeon, a masterpiece from 1524, lies the captivating story of Gonzaga Paola. This tale unfolds through intricate details that transport us to a world where gods and mortals intertwine. Amongst the vivid scenes depicted in this room is Actaeon's tragic fate. Transformed into a stag by divine intervention, he meets his untimely demise at the jaws of his own loyal hounds. The intensity captured in this detail leaves us pondering the consequences of crossing paths with powerful forces beyond our control. Diana bathing, another mesmerizing scene within this grand mural, reveals vulnerability amidst her godly stature. As she immerses herself in tranquil waters, two nymphs attend to her every need, and is here that we catch a glimpse of Paola Gonzaga as the Goddess Ceres – an unexpected twist that adds depth to this mythological narrative. The Putto featured in one corner exudes innocence and mischief simultaneously. Its cherubic presence brings lightness to an otherwise somber tale while reminding us that even amidst tragedy there can be moments of joy. Within these walls lies not only artistry but also intrigue. The repetition of certain details hints at hidden meanings waiting to be unraveled by those who dare delve deeper into its secrets. What stories lie behind these recurring motifs? What messages did they convey to those who first beheld them? As we contemplate Gonzaga Paola's enigmatic presence within these ancient frescoes, we are reminded that history has many layers waiting for discovery. Through dogs' loyalty and goddesses' power; through myths entwined with reality; through beauty immortalized on canvas – Gonzaga Paola invites us on a journey filled with wonderment and fascination. Step into the Room of Diana and Actaeon yourself, and let your imagination roam amidst the intricate details that have captivated generations.