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The New Musical Language, caricature from Les Metamorphoses du Jour series

The New Musical Language, caricature from Les Metamorphoses du Jour series


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The New Musical Language, caricature from Les Metamorphoses du Jour series

CHT177894 The New Musical Language, caricature from Les Metamorphoses du Jour series, reprinted in 1854 (coloured engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: The Metamorphosis of the Day ; ); eArchives Charmet; French, out of copyright

Media ID 23197866

© Archives Charmet / Bridgeman Images

Amateur Anthropomorphic Anthropomorphism Baboon Bear Bears Behaviour Cockerel Dressed Ensemble Humans Mole Observation Orchestra Rabbit Social Commentary Walrus


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> Animals > Farm > Donkeys > Related Images

> Animals > Mammals > Baboon

> Animals > Mammals > Odobenidae > Walrus

> Animals > Mammals > Walrus

> Arts > Artists > Related Images

> Arts > Music

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Music

> Europe > France > Paris > Music

> Fine Art Finder > Artists > Grandville (1803-47)

> Fine Art Finder > Artists > Guillaume Apollinaire

> Fine Art Finder > Cartoons, Caricatures & Humour

> Humour > Cartoon


EDITORS COMMENTS
This vibrant and whimsical print titled "The New Musical Language" captures the essence of Jean Ignace Isidore Gerard's satirical genius. Part of his renowned Les Metamorphoses du Jour series, this caricature showcases a delightful array of anthropomorphic animals engaging in a musical ensemble. In this scene, we witness an orchestra like no other. A donkey confidently leads the group with its walking stick, while a walrus skillfully plays the violin. A cow gracefully strums her guitar, accompanied by a cat on the piano and a rabbit blowing into his trumpet. The bear is fully immersed in playing the cello, while a pig adds rhythm with his tambourine. Gerard's astute social commentary shines through as he humorously portrays these animal musicians dressed in human attire. The artist cleverly uses anthropomorphism to highlight human behavior and society at large. With each character exuding their own unique personality, from the observant mole to the mischievous baboon, this enchanting print invites us into an imaginative world where animals take center stage as proficient musicians. "The New Musical Language" serves as both entertainment and satire; it playfully pokes fun at amateur musicianship while showcasing Gerard's exceptional artistic skills. This colored engraving reprinted in 1854 continues to captivate viewers today with its lively composition and witty portrayal of animal-human interactions.

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