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A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791
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A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791
NCO191715 A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: founded gallery for the patronage of English history painters in 1789; ); English, out of copyright
Media ID 23356158
© Bridgeman Images
Black Bow Destructive Grasping Hanoverian John Boydell Knife Mayor Of London Miser Picture Publisher Queue Slashing Social Satire Speech Bubble Vandal Miserliness
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A Peep into the Shakespeare Gallery - A Satirical Glimpse of Miserliness and Destruction
EDITORS COMMENTS
. This print captures a hand-coloured etching titled "A Peep into the Shakespeare Gallery" published by Hannah Humphrey in 1791. Created by James Gillray, this artwork is a remarkable example of Georgian social satire and caricature. In this scene, we witness a mischievous miser wreaking havoc within an art gallery. With a knife in hand, he slashes at valuable paintings while his eyes remain fixated on money-making opportunities. His Jean de Bry coat and black bow tie hint at his high status, yet his destructive actions reveal his true nature as a cheapskate vandal. The profile view showcases the exaggerated features of this satirical character, emphasizing his grasping hands and queue wig that symbolize wealth and power during the Hanoverian era. The presence of other notable figures such as John Boydell, the mayor of London turned publisher, adds depth to this intricate narrative. Through biting wit and clever imagery, Gillray exposes the greed and selfishness prevalent in society during this time period. This portrait serves as both entertainment and social commentary on the destructive consequences of excessive love for money. Thanks to Bridgeman Images' preservation efforts, viewers can now appreciate this historical masterpiece that offers us a glimpse into an era where artistry met satire with unparalleled brilliance.
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