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The Right Honourable Catch Singers, published by William Humphrey in 1783
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The Right Honourable Catch Singers, published by William Humphrey in 1783
NCO190475 The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: reference to the Coalition government of Lord North (1732-92) and Charles James Fox (1759-1806); ); English, out of copyright
Media ID 23356268
© Bridgeman Images
Administration Beer Breeches Corpulent Dissolute Drunk Excess Froth Joint Ministry Political Satire Portly Revelry Rotund Singer Singing Stout Tory Whig Double Handle
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The Right Honourable Catch Singers - A Satirical Snapshot of Political Excess
EDITORS COMMENTS
. This print captures a momentous piece of political satire from the late 18th century. Published by William Humphrey in 1783, this hand-coloured etching by James Gillray offers a humorous glimpse into the Coalition government of Lord North and Charles James Fox. In this lively scene, we see a group of prominent politicians indulging in revelry and excess. The caricatured figures are depicted as corpulent, portly individuals with double-handled tankards raised high. Their rotund bodies and dissolute expressions reflect their reputation for overindulgence. The composition is filled with intricate details that add depth to the narrative. From frothy beer overflowing from tankards to joint singing sessions, every element emphasizes the jovial atmosphere amidst political decision-making. Gillray's artistic skill shines through his ability to capture each character's distinct personality while mocking their flaws. This satirical portrayal highlights both Tory and Whig politicians engaging in shared merriment despite their ideological differences. With its sharp wit and biting commentary on excessive drinking habits within politics, this engraving serves as a reminder that even those entrusted with governance can succumb to temptation. It stands as an enduring testament to Gillray's talent for capturing societal absurdities through art. Courtesy of the Warden and Scholars of New College, Oxford, this historical gem provides us with valuable insights into political culture during one of Britain's most transformative periods
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