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F. 25. I Hind Head Hill, from the Liber Studiorum, engraved by Robert Dunkarton
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F. 25. I Hind Head Hill, from the Liber Studiorum, engraved by Robert Dunkarton
FIT90224 F.25.I Hind Head Hill, from the Liber Studiorum, engraved by Robert Dunkarton, 1811 (etching) by Turner, Joseph Mallord William (1775-1851) (after); 20.6x28.9 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright
Media ID 22606752
© Fitzwilliam Museum / Bridgeman Images
Gallows Gibbet Hindhead Romanticist Sepia Surrey
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EDITORS COMMENTS
This print showcases "F. 25. I Hind Head Hill" from the Liber Studiorum, engraved by Robert Dunkarton in 1811. Created by Joseph Mallord William Turner, a renowned English Romanticist artist, this etching measures 20.6x28.9 cm and is housed at the Fitzwilliam Museum in Cambridge, UK. The image transports us to Hind Head Hill on the Portsmouth Road, where nature's grandeur meets a hint of darkness. The sepia tones add an air of mystery and nostalgia to this picturesque landscape scene. Towering mountains frame the valley below, creating a breathtaking backdrop for the viewer. Intriguingly, amidst this serene setting lies a gallows or gibbet—a stark reminder of darker times gone by. This juxtaposition between beauty and foreboding creates an evocative atmosphere that draws us into Turner's artistic vision. As we explore further, our eyes are drawn to a flock of sheep grazing peacefully in the foreground—symbols of innocence against an ominous backdrop. Their presence adds depth and tranquility to this otherwise haunting composition. Turner's masterful engraving technique brings every detail to life with precision and skill. Each line tells its own story as it captures both light and shadow flawlessly. This remarkable print from Bridgeman Images invites viewers to contemplate not only the natural beauty before them but also reflect upon humanity's complex relationship with nature itself—a timeless theme that continues to resonate today.
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