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Le rat quis retire du monde - The Rat Retired From The World - (Recueil 2, Book 7, Fable 4) - engraving from "A Hundred Fables of La Fontaine"Illustrated by Percy J. Billinghurst (1871-1933) - 1899
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Le rat quis retire du monde - The Rat Retired From The World - (Recueil 2, Book 7, Fable 4) - engraving from "A Hundred Fables of La Fontaine"Illustrated by Percy J. Billinghurst (1871-1933) - 1899
XEE4161942 Le rat quis retire du monde - The Rat Retired From The World - (Recueil 2, Book 7, Fable 4) - engraving from " A Hundred Fables of La Fontaine" Illustrated by Percy J. Billinghurst (1871-1933) - 1899 - by Billinghurst, Percy James (1871-1933); Private Collection; (add.info.: Le rat quis retire du monde - The Rat Retired From The World - (Recueil 2, Book 7, Fable 4) - engraving from " A Hundred Fables of La Fontaine" Illustrated by Percy J. Billinghurst (1871-1933) - 1899 -); Stefano Bianchetti
Media ID 25164322
© Stefano Bianchetti / Bridgeman Images
Apple Cheese Fable Fruit Bowl Fruitbowl John Of 1621 1695 La Fontaine Artwork La Fontaine Personality Lafontaine Artwork Loneliness Narcissism Seicento 17 17th 17th 17th Xvii 18th Century Circa 1600 Early 17th Century Early Xvii Century Seventeeth Century
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EDITORS COMMENTS
This engraving, titled "Le rat quis retire du monde - The Rat Retired From The World" is a beautiful illustration from the book "A Hundred Fables of La Fontaine". Created by Percy J. Billinghurst in 1899, this artwork brings to life one of Jean de La Fontaine's famous fables. In this scene, we see a solitary rat sitting on top of a fruit bowl, surrounded by apples. The rat appears contemplative and withdrawn from the world around him. This image evokes feelings of loneliness and introspection. The intricate details in the engraving highlight Billinghurst's skill as an artist. Every line and shadow adds depth to the composition, making it visually striking. The use of black and white enhances the dramatic effect of the artwork, emphasizing contrasts between light and dark areas. It gives a timeless quality to the piece that transports us back to 17th-century France when La Fontaine's fables were first published. Through this print, we are reminded of the power of literature and art to capture complex emotions such as isolation and self-reflection. It serves as a testament to both La Fontaine's enduring storytelling abilities and Billinghurst's talent as an illustrator. Overall, this enchanting engraving invites viewers into a world where animals teach valuable lessons through their stories—a true masterpiece that continues to captivate audiences even today.
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