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Man forced to kiss an ugly woman at a dance party

Man forced to kiss an ugly woman at a dance party


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Man forced to kiss an ugly woman at a dance party

5893709 Man forced to kiss an ugly woman at a dance party. by Rowlandson, Thomas (1756-1827); (add.info.: Man forced to kiss an ugly woman at a dance party during a game of forfeits. More Miseries. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.); © Florilegius

Media ID 23713314

© Florilegius / Bridgeman Images

Ackermann Affection Affectionate Affectioned Ball Embarrassment Etching Gentleman Gioco Give A Kiss Kiss Kissing Kissing Kiss Miseries Of Human Life More Miseries Parlor Game Regency Reverend James Beresford Tender Tenderness Thomas Rowlandson Ball Games Copperplate Engraving Forfeits Handcoloured Parlour Game


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Man Forced to Kiss an Ugly Woman - A Satirical Reflection on Social Expectations

EDITORS COMMENTS
. This intriguing print by Thomas Rowlandson captures a moment of both amusement and discomfort at a lively dance party during the Regency era. In this scene, we witness a gentleman being coerced into kissing what society deems as an "ugly woman". The image is part of Reverend James Beresford's Miseries of Human Life series, which humorously depicts various social predicaments. Rowlandson's handcoloured copperplate engraving showcases his talent for satire and caricature. Through exaggerated features and expressions, he highlights the embarrassment faced by the man as he reluctantly fulfills his forfeit in front of amused onlookers. This portrayal serves as a commentary on societal expectations surrounding beauty and affection. The game of forfeits adds another layer to the narrative, revealing how innocent pastimes could sometimes lead to awkward situations. It reminds us that even in moments meant for enjoyment, social pressures can still dictate our actions. Despite its humorous nature, this illustration also invites contemplation about tenderness and true affection. It challenges us to question whether physical appearances should determine our capacity for genuine connection. Overall, Rowlandson's print offers a glimpse into the complexities of human interactions within Georgian society. It encourages viewers to reflect upon their own experiences with societal norms while appreciating the artist's skillful blend of satire and storytelling.

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